Many thanks to author and blogger Julie M. Tuttle for this wonderful opportunity! Check out my interview with her if you haven’t yet!
Years ago, I talked about using social media for promoting one’s work and oneself as a writer, which has become even more important because of COVID. But promotion and marketing are but a part of something more important for life as a writer: networking. The more connections you make, the better your chances are at improving your odds. And something else I’ve learned is that networking consists of so much more than social media. While technology has been playing an increasing role in life even before COVID, face-to-face interaction is still a vital part of networking, and one I think all writers crave and have missed during this pandemic.
I still have vague memories of the first time I went to a meeting of the Maryland Writers’ Association years ago. I was nervous at first, but I quickly realized I needed to return. And I have had no regrets since then. I’ve become friends with many writers, and I realized I am not alone. It was at a meeting of the Annapolis Chapter of the MWA where I learned of Mockingbird Lane Press from another author, and that’s how I came to submit Mystical Greenwood to them and was subsequently offered a contract.
Events like meetings and writers’ conferences are great ways to meet new people, pitch your work, and if your work is already published, to promote and even sell copies. There are also critique groups too. One can join one or start a group, and have beta readers who can offer a fresh pair of eyes. I’ve always enjoyed those offered by the Maryland Writers’ Association, and hope to go back to them when it’s safe to do so again. While it is certainly possible do do all of these things online, it isn’t the same as actually meeting fellow writers and shaking their hands.
Returning to my point about technology vs. face-to-face, with the former, which has increased due to COVID, there is, I have learned in years past, the chance that words and messages can be misinterpreted, and one cannot be sure as to what a person’s tone is. As a result, through my own personal mistakes, connections, related to writing and not, have been broken. Promotion via social media has also at times backfired. But even then, face-to-face interactions can go wrong too. In all cases, one has to be careful, and take responsibility for one’s mistakes and actions.
But the thing I’ve had to learn the hard way, as stinging as it feels, is that if someone doesn’t want to connect with you, or wants to break it off, you have to let it go. No one can be forced to connect, or stay connected for that matter. That’s another lesson I’ve had to learn the hard way. One can only invite/ask people. They cannot be forced to do what they don’t want to do.
Another lesson I learned the hard way is the importance of having business cards. I didn’t have any when I sold copies of Mystical Greenwood at the 2018 Maryland Writers’ Conference, and I knew afterwards I had to have them. I’ve been glad of it ever since.
So, if you aren’t already I hope you’ll consider following me on this site, as well as on social media!
You can also follow my Amazon page!
Check out this Q&A I did with author Elizabeth Holland:
Many thanks for this opportunity, Elizabeth!
Happy Holidays, everyone! Wishing you all a Happy New Year, especially after a year like this. Today is the day of the Winter Solstice, which is the origin of many winter holidays. As the light and warmth of the sun will return, may the new year bring new light and warmth for all of us! I am certainly hoping 2021 brings changes and progress both career-wise and in writing.
And don’t forget: books (and book reviews) make great gifts! My Amazon author page was updated to include more anthologies from past and present, including As the World Burns, which came out last month.
The episode is on Podbean too.
Be sure to subscribe to the podcast to listen to their other episodes!
And be sure to keep an eye out on my poetry and short story pages for upcoming links to the anthologies Fae Dreams and Nightmare Whispers: Madness Echoes from Fae Corps Inc! They’re due to come out at the end of the month! Some links are already available for preorder!
Interesting to note that some of my work that will appear in those anthologies are tied with earlier days of writing. “Crossing the Estuary” was originally a high school creative writing assignment I’d thought lost but rediscovered. “Candlelight” was an assignment in college where we had to write a poem in the style of Edgar Allan Poe’s “The Raven,” following specific guidelines (yesterday was the anniversary of Poe’s death). I recall I actually started writing it on Halloween!
During the COVID-19 crisis, a number of marketing opportunities opened up for me. I’ve already shared a few of them in previous posts, but here are others.
Here is a guest post that I did for author C. A. Campbell, in which I discuss how online marketing took on a greater role during the stay-at-home order, especially with Twitter and certain hashtags:
Many thanks to C. A. Campbell for the opportunity to speak about it!
As I mentioned in my guest post for Campbell, I appeared Live on Twitter as part of a virtual book tour sponsored by Our Own Write, which had been set up in response to the fact that several writers’ conferences had to be cancelled due to the crisis, including, in my case, the Maryland Writers’ Conference.
In the tour, I read an excerpt from Mystical Greenwood and answered questions. My broadcast got cut off in the middle due to technical issues, and I had another issue with the camera, which is why a good part of it is “black,” but at least I didn’t get cut off during the reading part.
Still, I enjoyed the experience very much.
Go check them out if you have a book that you want to promote at their future events! I highly recommend them.
Finally, though this was in the works beforehand, I did a short interview with the British-based Chat and Spin Radio. I appear 25 minutes in:
Overall, yes, marketing changed quite a bit because of COVID19 and staying home. But, as I said in my guest post for Campbell, it’s all about pressing on.
Check out this interview I did with my friend and fellow author Ally Aldridge as part of her “Behind the Book” series, in which I discuss my novel Mystical Greenwood. Many thanks, Ally, for this opportunity!
Check out this guest post I did for the Go Dog Go Cafe! Many thanks to Stephen and his associates for this opportunity!
Writers must read and conduct research to build their stories. No matter the genre, writers need to build plot and characters to create something that will appeal to readers, and there are many books offering tips and insights into these elements. I will discuss those titles I have listed for my own recommended resources and why I think they’re helpful.
Joseph Campbell’s The Hero with a Thousand Faces is one of the most well-known and influential books in the world. It draws upon many myths, identifying common characteristics and story elements to form what we know as the hero’s journey. Perhaps one of the most famous examples of Campbell’s influence is with George Lucas when he created Star Wars. There’s a reason why this book is helpful to writers: the hero’s journey appeals to people. It’s been depicted in many different ways, and stories do deviate at certain points (Frodo…
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Romance has long been considered an important component of literature and drama. It draws them in, including me. People love to praise those who make huge sacrifices for love. Readers like to see it blossom and endure amid great trials and hardships, to see it conquer all. Unfortunately, sometimes fans can get so obsessed with notions of romance that they can lose their hold of reality.
Modern adaptations of classic stories alter characters for the sake of romance. Helen of Troy has been portrayed as falling genuinely in love with Paris rather than being under a spell, as she was originally in The Iliad. In some adaptations of The Legend of Sleepy Hollow, Ichabod and Katrina are in love, with Ichabod as a noble hero, whereas in the original story his motives are anything but honorable, and it’s implied Katrina, who was rather vane, merely used him to make Brom Bones jealous. Even villains like Dracula, who originally had no qualms over their actions, have become “humanized” and anti-heroic via romance. Romance appeals to people.
Within fandoms and fanfiction, I’ve seen “shippers” when there’s a love triangle and even with characters who either didn’t end up together or weren’t in love. Margaret Mitchell was hounded by Gone with the Wind fans wanting to know if Rhett and Scarlett reunited. She never gave them a definitive answer, because that wasn’t the point of the story. It’s been suggested some (but not all) fans don’t care about reason, wanting a romantic ending no matter how much it defies logic.
So is there a danger when writers incorporate romance into stories? Yes. There have been articles and books discussing how reading romance novels can be dangerous for one’s physical and psychological health, because in searching for love in real life, readers may aspire to an idealized image found only in fiction. Some try to play it out, thinking it’ll end like in stories. The result is grave disappointment, because in real life nothing is perfect. In Sense and Sensibility, the romantic Marianne falls for the handsome, dashing Willoughby and wears her heart on her sleeve. When he leaves her and marries for money (after being disinherited for abandoning another girl he got pregnant), Marianne wallows in grief, to the point where she endangers her health and nearly dies.
So what can writers do? Recognize the power stories have to shape readers’ views on love. Perhaps aim to show love isn’t perfect, with fights and disagreements, but still satisfy readers. Marianne finds love in Colonel Brandon and gets a happy ending, but she matures and sees the error of her past conduct. Another thing to bear in mind is that sometimes relationships don’t work out. Seldom is a first love everlasting, especially with teenagers. At other times, there isn’t a happy ending but hope for a better future.
I don’t dismiss the power and importance of romance. It’s needed in some (but not all) stories. But writers and readers alike need to understand genuine romance is gradual, with ups and downs. As Shakespeare says, “The course of true love never did run smooth.” And as I learned in church, love is an umbrella term used for many situations that aren’t identical. Furthermore, what may appear to be love isn’t necessarily love. They say love is blind; so is obsession. Love not built on a solid foundation of friendship, mutual trust, and respect, is the easiest—and fastest—to crumble.
Hopefully by now, most of you have read Mystical Greenwood and are eagerly awaiting the sequel. Well, I thought I’d talk a bit about where I am presently with my current projects. Uh oh, spoiler alert! Hopefully these aren’t big spoilers but teasers. I’ll do my best to refrain from giving too much away. Consider it an early holiday gift.
As I said, there is a sequel to Mystical Greenwood in progress. From the beginning, I’ve wanted the One with Nature series to consist of three books. I know how I want the second to end, but it won’t be the end of the story, so the third book has that purpose already (and I even have a vision of how I’d like it to end). Having focused on forests, I intend to take my characters to another important realm of Nature: the sea (as well as emphasize other bodies of water). So there will be an exploration of and emphasis on aquatic life, and as I hinted before, I’d like to include some more mythical creatures. Taranis will raise the stakes of his fight, and the sequel will include an element Mystical Greenwood lacked: romance.
Anyone who’s seen my works in progress page knows there’s been another story in the works, set in the real world dealing with pets who are neglected and abused. I started it as a class project back at St. Mary’s College. Anyone who knows me knows how much I love animals, and it pains me to think of how many pets—not just dogs—suffer in this world and are deprived of love and comfort. A number of other projects and short works are also in the early stages/idea phase. Things to look forward to in the future!
In addition to these large works, I have short ones too that I’m trying to publish. I’ve had some poetry published this year, and there’s a lot more. I also have two completed short stories. As I’ve said from the beginning, I want to explore various genres and forms of writing. I’ve had a wide variety of interests throughout my life, and perhaps that’s due to my Asperger syndrome. But I definitely want to explore them in writing. I’ll be sure to post updates when they come.
Be sure to check out my Events page for upcoming appearances! Also, registration is open for the 2020 Maryland Writers Conference. Early bird prices go until New Year’s Eve! If you’re interested, go to the MWA website to learn more!
And of course, if you haven’t yet, I hope you’ll read and review Mystical Greenwood! And if you know someone who loves reading fantasy and loves Nature, books make great gifts during the winter holidays! In Iceland, a country with a high reading and publication rate, there is a tradition of exchanging books on Christmas Eve known as Jólabókaflóð, or the Yule Book Flood.
Mystical Greenwood is available in Paperback, Kindle, and Nook:
Be sure to add it to your to-read list on Goodreads! The cover art is available at Deviant Art. Don’t forget to subscribe to receive notifications of new blog posts! You can also follow me on social media:
- De La Mare, Guinevere. Jolabokaflod: Meet Your Favorite New Holiday Tradition.
It’s probably a question you’ve asked yourself before when writing, and certainly one you must answer: what drives your characters? They all want something, just as people in real life want something. It can be love, hatred, power, wealth, knowledge, patriotism, disillusionment, honor, or something else. To help bring characters to life, good and bad, they need to have at least one thing that drives them, which can later on change, but ultimately helps bring the character to life as much as their individual personality traits.
You can begin with basic human emotions or desires and build them into one of many possibilities. As an example, if a character seeks knowledge, it could be knowledge of something or someone or oneself. It’s important for villains to have motivations as well as heroes. In Beowulf the titular hero seeks everlasting glory, while each of the monsters is driven by a dark desire: Grendel by envy (of the Danes celebrating, which links him to his Biblical ancestor, Cain, who killed his brother Abel out of envy), Grendel’s mother by anger (for the death of her son), and the dragon by greed (a single golden cup was stolen from his treasure hoard).
When characters are driven to commit crimes, they have simple motivations, which have different versions. Sometimes characters with similar motivations act differently upon them, or the other way around. In The Count of Monte Cristo, Danglars wants Edmond’s captaincy while Mondego wants Edmond’s fiancé. So they conspire to frame him for conspiring to help Napoleon Bonaparte. For Danglars it’s a crime of profit; for Mondego it’s one of passion. Villefort realizes there actually is a conspiracy to help the deposed emperor, not involving Edmond but his own father, which would hurt his political ambitions if revealed. So he has imprisoned Edmond without trial to protect himself. Edmond is therefore motivated to enact revenge upon them all.
Often motives can be influenced by characters’ backgrounds and circumstances. One well-known stereotype is the evil twin, who is the protagonist’s mirror image (though sometimes evil twins have facial hair or scars). But in many stories there are simply siblings—not necessarily twins—where one’s good and one’s evil. When the younger is evil, (s)he tends to be envious at not being the oldest and thus the heir. But when the older is evil (not to say (s)he can’t be jealous of the younger sibling), (s)he is proud of being the oldest and heir, to the point of narcissism and arrogance. When there’s more than one sibling, it can lead to middle child syndrome, where the second child feels unloved and/or like an outcast because the third is the “baby” and the first is the heir.
Then there’s the notion of a character foil: someone who contrasts another character, usually the protagonist. Foils can be villains like evil twins, but they can be good too. They are similar in one or two ways to a protagonist but in every other way aren’t. Sherlock Holmes’s older brother Mycroft shares his amazing power of deduction and more, but doesn’t use it to earn a living since, as Sherlock puts it, he lacks ambition and energy, and hates fieldwork.
As I said earlier, motivation can change, especially if a character isn’t sure at the start what drives him or her. Perhaps they are searching for what it is they want out of life. In every case, having motivation drives characters, and thus readers’ investment in them.
- Character Motivation: How to Write Believable Characters.
- Marie, Katie. Character motivations and why they are so important.
Happy Veterans Day! Many thanks to all who served!