Many thanks to author and blogger Julie M. Tuttle for this wonderful opportunity! Check out my interview with her if you haven’t yet!
Years ago, I talked about using social media for promoting one’s work and oneself as a writer, which has become even more important because of COVID. But promotion and marketing are but a part of something more important for life as a writer: networking. The more connections you make, the better your chances are at improving your odds. And something else I’ve learned is that networking consists of so much more than social media. While technology has been playing an increasing role in life even before COVID, face-to-face interaction is still a vital part of networking, and one I think all writers crave and have missed during this pandemic.
I still have vague memories of the first time I went to a meeting of the Maryland Writers’ Association years ago. I was nervous at first, but I quickly realized I needed to return. And I have had no regrets since then. I’ve become friends with many writers, and I realized I am not alone. It was at a meeting of the Annapolis Chapter of the MWA where I learned of Mockingbird Lane Press from another author, and that’s how I came to submit Mystical Greenwood to them and was subsequently offered a contract.
Events like meetings and writers’ conferences are great ways to meet new people, pitch your work, and if your work is already published, to promote and even sell copies. There are also critique groups too. One can join one or start a group, and have beta readers who can offer a fresh pair of eyes. I’ve always enjoyed those offered by the Maryland Writers’ Association, and hope to go back to them when it’s safe to do so again. While it is certainly possible do do all of these things online, it isn’t the same as actually meeting fellow writers and shaking their hands.
Returning to my point about technology vs. face-to-face, with the former, which has increased due to COVID, there is, I have learned in years past, the chance that words and messages can be misinterpreted, and one cannot be sure as to what a person’s tone is. As a result, through my own personal mistakes, connections, related to writing and not, have been broken. Promotion via social media has also at times backfired. But even then, face-to-face interactions can go wrong too. In all cases, one has to be careful, and take responsibility for one’s mistakes and actions.
But the thing I’ve had to learn the hard way, as stinging as it feels, is that if someone doesn’t want to connect with you, or wants to break it off, you have to let it go. No one can be forced to connect, or stay connected for that matter. That’s another lesson I’ve had to learn the hard way. One can only invite/ask people. They cannot be forced to do what they don’t want to do.
Another lesson I learned the hard way is the importance of having business cards. I didn’t have any when I sold copies of Mystical Greenwood at the 2018 Maryland Writers’ Conference, and I knew afterwards I had to have them. I’ve been glad of it ever since.
So, if you aren’t already I hope you’ll consider following me on this site, as well as on social media!
You can also follow my Amazon page!
This month will mark this website’s 5th anniversary (twelve days from today, to be exact)! I’d already done a post looking back after two years, but five years is one of those major milestones that several people mark. So here’s a summary of what this website has seen and went through in five years.
I started out knowing nothing other than I had to set one up in advance, as many friends had advised me so. I looked at other indie authors’ sites to see what I should do, made some choices of my own, and took advice from others about what to include and how to improve it. Over these five years, the website has gone through a facelift as well as a change in domain name. I learned a lot as I went along.
This post is my 60th. I started out discussing personal insights and aspects in the craft of writing, and have since expanded to marketing and sharing books in my inscribed collection as a means to promote other authors. I’ve made guest appearances on many other authors’ blogs too, the majority of which were interviews about me and my work. All can be found on my site’s blog page.
When I started this site, I had two publications in poetry and creative nonfiction, respectively. The latter prompted me to create a Facebook Author page (two months prior to the website). Because of this website, I set up accounts on Twitter and Tumblr, and found new ways to be active on YouTube and Goodreads. And now I have an Amazon Author page!
This website has witnessed more publications in poetry, short stories, and the biggest of all, my novel Mystical Greenwood (which was also a finalist for an award). The Nightmare Whispers anthology series came out a week ago, and Fae Dreams, also from Fae Corps Inc, yesterday. More are in the works, and/or are awaiting publication. Here’s a teaser in an old open mic reading I did at the MWA in Annapolis of some short stories:
This website has been used to promote my work as well as many events that I’ve participated in, in-person as well as virtual. I have acquired followers and readers from all over the globe!
The top ten places from which I’ve had views as of now:
- United States
- United Kingdom
- South Africa
Last month, in fact, had more views than any other month before it, and the day with the most views (as of this moment) when my last post came out.
It has been quite a journey so far. Who can say where I’ll be in ten years? All I know is that I must keep pressing on, learning and experimenting.
The episode is on Podbean too.
Be sure to subscribe to the podcast to listen to their other episodes!
And be sure to keep an eye out on my poetry and short story pages for upcoming links to the anthologies Fae Dreams and Nightmare Whispers: Madness Echoes from Fae Corps Inc! They’re due to come out at the end of the month! Some links are already available for preorder!
Interesting to note that some of my work that will appear in those anthologies are tied with earlier days of writing. “Crossing the Estuary” was originally a high school creative writing assignment I’d thought lost but rediscovered. “Candlelight” was an assignment in college where we had to write a poem in the style of Edgar Allan Poe’s “The Raven,” following specific guidelines (yesterday was the anniversary of Poe’s death). I recall I actually started writing it on Halloween!
Here is my latest guest appearance, with the talented poet and blogger Vatsarah Stavyah, in which I discuss being a writer as well as my novel Mystical Greenwood:
Many thanks to Vatsarah for this opportunity!
And for those of you haven’t seen or heard yet, I am going to have some short works appearing in two anthologies from Fae Corps Inc, Fae Dreams and Nightmare Whispers, Volume II, scheduled to be released on Halloween! Another poem will be appearing in another upcoming anthology from Indie Blu(e) Publishing titled As the World Burns. Be sure to keep an eye on my poetry and new short story page for future links!
Also, as today is 9/11, I ask for a moment of remembrance for those who died on this day 19 years ago, and for those who were affected by it.
Check out my guest appearance with the amazing author Ally Aldridge! On her blog, I discuss Banned Books Week (which is going to be September 22-28 this year) and the importance of creative and intellectual freedom for writers, librarians, and humanity. We have a few months to go, but there’s no harm in thinking about it early! Thank you, Ally, for this opportunity!
If you haven’t yet, check out my interview with fellow author and MWA member M. J. Patrick! Many thanks, M. J., for this opportunity!
One has a story in mind, and wants to tell it well. It then becomes a question of how you want to tell it. I’ve learned there’s more than one way to write a novel. In fact there are many, and like all details run the risk of being overthought or overdone. Sometimes one can get so worried about them it leads to writer’s block and one cannot move forward, sort of like when when choosing a book title or character name. These are among the first details to choose at the beginning. Yet at other times, they seem to manifest themselves and/or change in the process.
One of the first questions that comes to mind is whether to write in first person or third. I find it often depends on the type of story being told. When writing Mystical Greenwood, I chose to write in third person as I felt it was the right way to tell a fantasy story set in an imaginary world no reader would have personally lived in, but could still observe and imagine. But there are many subdivisions of third person, and that was not so easily defined for me.
I flirted between third person limited and subjective. Subjective is trying to convey more than one characters’ thoughts and feelings at the same time, whereas limited focuses on chiefly one character. After sending Mystical Greenwood to Mockingbird Lane Press, at my editor’s request I made it third person limited throughout because there were originally some scenes with slight POV shifts that caused confusion. While some chapters and scenes are told from the perspective of characters other than Dermot, and there are scene breaks and a change to another character’s POV in others, I still tried to limit it to one character at a time.
I could’ve written in third person objective, but that would’ve left out every character’s feelings and thoughts, which I felt could detach readers from the narrative. Third person omniscient is often used for high and epic fantasy, where all character’s thoughts and feelings are presented. That can sometimes make it hard for readers to attach themselves to the story, as there would be too many characters to choose from to bond with while reading. But that certainly doesn’t mean it can’t work.
I’m presently trying I-narrative with the neglected pets story. I feel first person works best with realistic fiction (as it’s a setting readers and writers live in and understand), mysteries, and thrillers. I would like to try an epistolary format (telling a story in the form of diary entries and letters), perhaps for historical fiction. Some authors have alternated between third and first within the same book (using the latter for their protagonist), which I might also try. News articles could also be used in epistolary stories, and be another way to alternate. Other writers have changed narrative within a series, like the late Stephen J. Cannell did with the Shane Scully books.
With first person, one can also make it plural or use an unreliable narrator. Some novels try to replicate the thought-process, or stream of conscious – third or first could work, but I personally find it hard to follow. Some classic books have had chapters or scenes written in the format of plays; another thing I could try.
I should also mention second person narrative: “You”. It’s rarer in literature, as is writing in future tense. Most stories are in past tense, but some have been written in present, just like plays and screenplays. But there have been some well-told stories written using one or both, most famously perhaps Oh, the Places You’ll Go! by Dr. Seuss. It’s always good to experiment and try new things with writing. Writer should use whatever they feel is best for your story.
- Writing in Third Person Omniscient vs Third Person Limited.
- Aldridge, Ally. Point of View.
- Wolf, Kalesjha H. First Person vs. Third Person.
As a friendly reminder, you can reserve the paperback through Amazon and Barnes & Noble. If you’re in Britain, it’s also available through Amazon.co.uk and Foyles Bookstore. Additional outlets can be found for both versions via Goodreads.
You can also try ordering directly at your local bookstore. That can help get it on shelves for other readers to find. If you belong to a book club, I hope you’ll recommend it to your fellow members! Your reviews will help me and this book immensely. Spread the word!
And don’t forget, if you become a fan, you can order merchandise with the cover art at Deviant Art!
They range from misspellings and repetitions to grammar and formatting errors. Some are more noticeable than others. I see Facebook posts all the time about how “errorists” win when there are typos like an unmatched parenthesis. Writers and editors try to catch all of them before publication, but they’ve been slipping past for centuries, even with famous works, to the point where they’ve become the fascination that they are.
Mystical Greenwood it turns out is no exception. I spotted some after going through a copy from my first order. I’ve notified Mockingbird Lane Press and we are working on making corrections for future copies. Certainly there is a benefit of second and third editions and so on: typos can be caught and fixed in between, although the initial copies remain as they are.
Certainly for any writer, it’s a frustrating feeling to see your work in print with errors. But good friends have given me encouragement, feeling typos won’t be a big deal, and the overall story will outweigh them. Well, certainly classics, even modern classics, are still around and people continue to read and enjoy them. To you reading this right now, if you’ve bought one of the early prints of Mystical Greenwood, let me express my hope that you will still enjoy the story.
The simple truth is perfection is impossible, but we still try to get as close as we can. It’s fair to say that future books I will write will no doubt have some typos in their first printing. Lesson learned.
- Ellis-Petersen, Hannah. Go Set a Watchman books missing text from final pages after printing error.
- Heffernan, Virgnia. The Price of Typos.
- Van Huygen, Meg. 15 Famous Typos in First Editions.