If you haven’t yet, check out my interview with fellow author and MWA member M. J. Patrick! Many thanks, M. J., for this opportunity!
April showers bring May flowers. So this month I thought I’d talk about the herbs that appear in Mystical Greenwood.
Wortcunning is a real term that I found in my research. I liked it and chose to use it in the book. The herbs Saershe employs for medicinal purposes were likewise inspired by real herbs and the treatments for which they were used.
Here they are:
*Photos from Wikimedia Commons.
I’ve discussed before how fantasy can often be rooted in reality, especially when it comes to world-building. Originally when I was conducting research on herbs and plants for medicinal purposes, I chose herbs primarily for their purposes and didn’t give too much initial thought to where they came form. Eventually though I decided I wanted them to all have a generally similar place of origin to make the sense of reality stronger (similar to how I chose trees sacred to the ancient Celts), so some were discarded and new ones came in, specifically Comfrey and St. John’s Wort. Yarrow, wild mint, and red clover were there from the beginning and I’d decided were able to be kept.
Some are referred to by their proper names in the novel. Others are instead referred to by alternate names (which are given for those who haven’t yet read the novel). I didn’t set out to use those alternate names; I found them when I was reading about those herbs. I chose to use the alternate names because I felt their proper names sounded too modern and would not fit in a fantasy world (similar you might say to how dinosaur species in the Land Before Time films were referred to by names such as “Longneck” and “Sharptooth”).
Their healing abilities may be exaggerated for the purposes of storytelling, as Saershe also uses magic when employing them (it is a work of fiction after all), but I did try to make sure their purposes would be mostly authentic, and so the story did not stray out of that feeling of reality.
Don’t forget to order your copy of Mystical Greenwood!
If you enjoy the book, PLEASE post a nice review and spread the word! And if you’re a fan, order your merchandise on Deviant Art!
Some say life can imitate art, or be inspired by it. With Mystical Greenwood, I certainly drew on my love of wild animals and Nature, which in turn has grown and changed as a result of writing that book.
Growing up, I loved reading about animals and watching television shows about them. I was fascinated to learn new things about animals, and to see them in zoos and aquariums. While reading about animals, I also read about climates and ecosystems. I learned how animals, trees, and plants are interconnected with one another, and with the Earth. Eventually I decided that love for Nature would be the story’s heart. In conducting research into natural magic, Nature-based faiths and spiritualism, the spiritual and sacred essence of that connection fit in well with that love of Nature.
In writing Mystical Greenwood, I’ve come to view the natural world in a different way. I respect nature more than I feel I ever did as a child. Green became my favorite color, and that hasn’t changed since. My research advocated communication and interaction with Nature. I now speak to many different creatures, even insects. I find I don’t freak out upon seeing some of them as much as I did when I was younger. I’ve learned to stand still and not give them reason to fear me, as many creatures may try to defend themselves from people if they feel threatened. When I’ve gone walking or jogging, I look more closely at the trees, and I feel a sense of happiness and peace when I see green leaves in spring and summer. Autumn and winter have their magical charm too.
At St. Mary’s College, I was able to continue connecting with Nature. It’s a beautiful campus, and I remember walking by the St. Mary’s River many times. I would sit on benches in the church cemetery and look out at the water. Other times I’d go down and sit by the water. I tried a technique my characters did by sitting and meditating, which I’d learned through my research is called grounding. Although I didn’t sit up against a tree like Dermot and his friends, I listened to the water and felt the warmth of the sun. A few times I can remember hearing birds come close to me, and I did my best not to alarm them by remaining calm. I looked very closely at the river and into the water. It was never a blank stare. I felt a connection, and serenity.
I don’t necessarily share the beliefs of those who follow Nature-based religions today, but I do respect them, and in my own way I get a sense of the Divine in the natural world. I’m glad of the effect Mystical Greenwood has had on my outlook and love for Nature, and I’m sure it will continue to strengthen with the sequels.
I had a great time at the Maryland Writers’ Conference last week. I sold six copies of Mystical Greenwood! Don’t forget to order yours!
I hope you enjoy the book. PLEASE post a review and spread the word! And order your merchandise on Deviant Art!
Don’t forget to follow me on social media as well!
The collection grows:
I purchased a copy of Michael Hauge‘s Writing Screenplays that Sell a long time ago, and read it in time for him to inscribe it at the 2018 Maryland Writers’ Conference, where he was a guest speaker. His book is on my list of recommended readings for authors.
I first met Rafael Alvarez at another Maryland Writers’ Conference years earlier, and I received an inscribed copy of Hometown Boy during a talk he did at the Linthicum Community Library.
John DeDakis signed my copies of Fast Track, Bluff, and Troubled Water at the 2018 C3 Convention. I first met him when he spoke at a meeting of the Annapolis Chapter of the MWA, and he later provided an extremely helpful critique when I was editing Mystical Greenwood.
Last week at the MWA in Annapolis Susan Moger was the guest speaker, and she signed my copy of her novel Of Better Blood.
Don’t forget to check out the rest of the collection, especially if you’re looking for some titles to add to your own to-read list:
I look forward to signing copies of Mystical Greenwood at the conference this weekend!
My latest guest appearance on the blog of the amazing author Sharon Ledwith, where I discuss the importance of self-confidence for writers, and dealing with self-doubt:
Many thanks to Sharon for this opportunity! I highly recommend her blog for all you writers and readers out there.
This summer has been eventful. In June I appeared on the ArtistFirst Radio Network, which is highly supportive of independent authors:
Not long after that, I went to a wonderful family reunion. I signed their copies of Mystical Greenwood, and they surprised me with a special cake! Here’s a picture of the cake, along with some pictures of relatives from later on with their copies:
Most recently I made an appearance at the Crofton Library, where I talked about how I came to be published, and featured a musical performance of the two songs in Mystical Greenwood by their composer, Lee J. Chapman, and his associates:
Be sure to check my Events page for upcoming appearances in autumn and winter!
Don’t forget to purchase your copy of Mystical Greenwood, and post a review when you’re done! Every review helps! Please spread the word! Recommend it to your local bookstore and/or library! It is available from the following sites:
In addition, you can purchase mugs, greeting cards, postcards, magnets, mouse pads, and coasters featuring the cover art, as well as prints, on Deviant Art! If you’re a fan, show it!
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One has a story in mind, and wants to tell it well. It then becomes a question of how you want to tell it. I’ve learned there’s more than one way to write a novel. In fact there are many, and like all details run the risk of being overthought or overdone. Sometimes one can get so worried about them it leads to writer’s block and one cannot move forward, sort of like when when choosing a book title or character name. These are among the first details to choose at the beginning. Yet at other times, they seem to manifest themselves and/or change in the process.
One of the first questions that comes to mind is whether to write in first person or third. I find it often depends on the type of story being told. When writing Mystical Greenwood, I chose to write in third person as I felt it was the right way to tell a fantasy story set in an imaginary world no reader would have personally lived in, but could still observe and imagine. But there are many subdivisions of third person, and that was not so easily defined for me.
I flirted between third person limited and subjective. Subjective is trying to convey more than one characters’ thoughts and feelings at the same time, whereas limited focuses on chiefly one character. After sending Mystical Greenwood to Mockingbird Lane Press, at my editor’s request I made it third person limited throughout because there were originally some scenes with slight POV shifts that caused confusion. While some chapters and scenes are told from the perspective of characters other than Dermot, and there are scene breaks and a change to another character’s POV in others, I still tried to limit it to one character at a time.
I could’ve written in third person objective, but that would’ve left out every character’s feelings and thoughts, which I felt could detach readers from the narrative. Third person omniscient is often used for high and epic fantasy, where all character’s thoughts and feelings are presented. That can sometimes make it hard for readers to attach themselves to the story, as there would be too many characters to choose from to bond with while reading. But that certainly doesn’t mean it can’t work.
I’m presently trying I-narrative with the neglected pets story. I feel first person works best with realistic fiction (as it’s a setting readers and writers live in and understand), mysteries, and thrillers. I would like to try an epistolary format (telling a story in the form of diary entries and letters), perhaps for historical fiction. Some authors have alternated between third and first within the same book (using the latter for their protagonist), which I might also try. News articles could also be used in epistolary stories, and be another way to alternate. Other writers have changed narrative within a series, like the late Stephen J. Cannell did with the Shane Scully books.
With first person, one can also make it plural or use an unreliable narrator. Some novels try to replicate the thought-process, or stream of conscious – third or first could work, but I personally find it hard to follow. Some classic books have had chapters or scenes written in the format of plays; another thing I could try.
I should also mention second person narrative: “You”. It’s rarer in literature, as is writing in future tense. Most stories are in past tense, but some have been written in present, just like plays and screenplays. But there have been some well-told stories written using one or both, most famously perhaps Oh, the Places You’ll Go! by Dr. Seuss. It’s always good to experiment and try new things with writing. Writer should use whatever they feel is best for your story.
- Writing in Third Person Omniscient vs Third Person Limited.
- Aldridge, Ally. Point of View.
- Wolf, Kalesjha H. First Person vs. Third Person.
As a friendly reminder, you can reserve the paperback through Amazon and Barnes & Noble. If you’re in Britain, it’s also available through Amazon.co.uk and Foyles Bookstore. Additional outlets can be found for both versions via Goodreads.
You can also try ordering directly at your local bookstore. That can help get it on shelves for other readers to find. If you belong to a book club, I hope you’ll recommend it to your fellow members! Your reviews will help me and this book immensely. Spread the word!
And don’t forget, if you become a fan you can order merchandise with the cover art at Deviant Art!
They range from misspellings and repetitions to grammar and formatting errors. Some are more noticeable than others. I see Facebook posts all the time about how “errorists” win when there are typos like an unmatched parenthesis. Writers and editors try to catch all of them before publication, but they’ve been slipping past for centuries, even with famous works, to the point where they’ve become the fascination that they are.
Mystical Greenwood it turns out is no exception. I spotted some after going through a copy from my first order. I’ve notified Mockingbird Lane Press and we are working on making corrections for future copies. Certainly there is a benefit of second and third editions and so on: typos can be caught and fixed in between, although the initial copies remain as they are.
Certainly for any writer, it’s a frustrating feeling to see your work in print with errors. But good friends have given me encouragement, feeling typos won’t be a big deal, and the overall story will outweigh them. Well, certainly classics, even modern classics, are still around and people continue to read and enjoy them. To you reading this right now, if you’ve bought one of the early prints of Mystical Greenwood, let me express my hope that you will still enjoy the story.
The simple truth is perfection is impossible, but we still try to get as close as we can. It’s fair to say that future books I will write will no doubt have some typos in their first printing. Lesson learned.
- Ellis-Petersen, Hannah. Go Set a Watchman books missing text from final pages after printing error.
- Heffernan, Virgnia. The Price of Typos.
- Van Huygen, Meg. 15 Famous Typos in First Editions.
Yes! I’m very happy to announce that the paperback version of Mystical Greenwood is now available on Amazon!
Mockingbird Lane Press will also soon be offering an e-book version (which can be downloaded to Kindle and Nook)! It should be available in a couple weeks.
Mystical Greenwood will also soon be offered on Barnes & Noble.
I hope you enjoy it! Please read, review (be honest), and help spread the word!
The cover art is also available on Deviant Art! If you’re a fan, you can now buy merchandise!