Check out my interview with the amazing author Vonnie Winslow Crist! Many thanks for this opportunity, Vonnie! Anyone who’s looking to do an author interview, I highly recommend her blog Whimsical Words!
It’s National Author’s Day! I would like to take this opportunity to say thank you to many different writers I’ve met, and who’ve been encouraging to me on my author’s journey. Writing, despite what some (if there are any still) think, isn’t solitary. I started out on my own when I was a teenager, but I’ve come to see that authors get where they are with the help and support of others, especially fellow writers.
Here’s a list of some of those writers:
There are many more too, including those on my Amazon Authors Twitter List and those whose pages I follow via my Facebook page. Again, many thanks to all of you! I wish you the best of luck with your own writing endeavors! Same to you reading this, especially if you’re participating in NaNoWriMo!
I’m looking forward to my writer’s talk, which is now in two weeks! I’ll be discussing the importance of names for the Annapolis chapter of the MWA at the Maryland Hall for Creative Arts. Come on out if you’re in the area, especially if you’re a writer! I’ll also be participating in their Open Mic next month!
The holidays are around the corner, and books make great gifts! Please don’t forget to order your copy of my high fantasy novel, Mystical Greenwood:
If you enjoy the book, please post your review and help spread the word, especially on Amazon and Goodreads! Add it to your to-read list on the latter today!
Remember, the cover art is available also on Deviant Art in the form of prints, mugs, magnets, mouse pads, coasters, postcards, and greeting cards. Show you’re a fan!
Subscribe to receive notifications of new blog posts! Check out my Blog page to catch up on old ones! Be sure to visit and follow me on social media too:
My latest guest appearance on the blog of the amazing author Sharon Ledwith, where I discuss the importance of self-confidence for writers, and dealing with self-doubt:
Many thanks to Sharon for this opportunity! I highly recommend her blog for all you writers and readers out there.
This summer has been eventful. In June I appeared on the ArtistFirst Radio Network, which is highly supportive of independent authors. Here’s my full interview:
Not long after that, I went to a wonderful family reunion. I signed their copies of Mystical Greenwood, and they surprised me with a special cake! Here’s a picture of the cake, along with some pictures of relatives from later on with their copies:
Most recently I made an appearance at the Crofton Library, where I talked about how I came to be published, and featured a musical performance of the two songs in Mystical Greenwood by their composer, Lee J. Chapman, and his associates:
Be sure to check my Events page for upcoming appearances in autumn and winter!
Don’t forget to purchase your copy of Mystical Greenwood, and post a review when you’re done! Every review helps! Please spread the word! Recommend it to your local bookstore and/or library! It is available from the following sites:
In addition, you can purchase mugs, greeting cards, postcards, magnets, mouse pads, and coasters featuring the cover art, as well as prints, on Deviant Art! If you’re a fan, show it!
Don’t forget to subscribe to receive new blog posts, and check out my Blog page to catch up on old ones! Be sure to visit me on social media too:
My first official author interview! Many thanks to A. L. Kaplan for this opportunity! If you’re an author looking to do an interview, I highly recommend being interviewed by the Wolf!
Welcome to WOLF NOTES, where interview questions stray from the rest of the pack. It’s nice to know the usual stuff like where an author gets their inspiration and why they write, but sometimes we need a little fun in our lives.
Andrew McDowell wanted to be a writer since he was a teenager. He has studied History and English at St. Mary’s College, and Library and Information Science at the University of Maryland. He is a member of the Maryland Writers’ Association. He is an associate nonfiction editor with the literary journal JMWW. He has had poetry published in the anthology Pen in Hand, and he won second place in the creative nonfiction category of the MWA Literary Contest in 2015 for his essay on his experiences with Asperger syndrome. His YA fantasy novel Mystical Greenwood was published by Mockingbird Lane Press and is available on Amazon…
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Yes! I’m very happy to announce that the paperback version of Mystical Greenwood is now available on Amazon!
Mockingbird Lane Press will also soon be offering an e-book version (which can be downloaded to Kindle and Nook)! It should be available in a couple weeks.
Mystical Greenwood will also soon be offered on Barnes & Noble.
I hope you enjoy it! Please read, review (be honest), and help spread the word!
The cover art is also available on Deviant Art! If you’re a fan, you can now buy merchandise!
Often when works of fiction are discussed, word and/or page count comes up. When you see books on a shelf, one of the first things you’ll notice, apart from the author’s name and book title on the spine, is how thick or thin they are compared to each other. Some people like J. R. R. Tolkien enjoy reading long stories. Others prefer shorter works. What is it about length? Does it matter?
Often when you look at a book’s title page, there will often be a subtitle saying “A Novel” or something similar. “A Novella” and “A Novelette” appear to be less common. Instead perhaps you might see “A Short Novel”. Furthermore, when it comes to defining types of writers we have novelist, poet, essayist, playwright, short story writer, and screenwriter. There are no set terms that I’m aware of for writers of novellas or novelettes. I sometimes feel novel is an umbrella term under which any fictional work longer than a short story can be labeled. Often, it seems word count is what it really comes down to, as I’ve seen so many sets of word count ranges that are used to define these works. Or is it?
In my senior year at St. Mary’s College, I took a high level creative writing class called “The Novella”. Some of the books we read felt like novels or long short stories. We each had to write a novella, and I started writing that story about neglected pets. It fit into a novella word count range. However, my classmates and the professor felt it should be expanded into a novel. I admit before that class, I’d first imagined it as a novel. Perhaps a work of fiction is what the author believes it to be, and subsequently calls it.
Writing for the stage and screen can be more restrictive, though it’s by page count rather than words. Once at a meeting of the MWA Annapolis chapter it was stated a page of a screenplay equals a minute of screen time. Thus an ideal film script should be 100-120 pages. A TV episode script would be 50-60 pages. Plays too it seems have page count limits these days. Audiences I can understand would rather not sit in a theater all day.
Some classic plays and films are long. Hamlet is usually abridged when staged or filmed. The 1996 unabridged film version lasted over four hours. Sometimes I wonder what Hamlet’s stage and screen history would’ve been like had Shakespeare written it as two plays, as he did with Henry IV (which has appeared onscreen only as TV films). I also wonder what the movie Gettysburg would’ve been like had it been a TV miniseries as initially planned.
Charles Dickens’s works were first published as a serial (like novelettes or novellas) before being printed as complete books. The serial versions were cheaper, making his novels available to the masses, whom, with a cliffhanger, would be enticed to buy the next installment. The novels of the Brontë sisters were published in “volumes” – but like Dickens’s books they’re are only published as complete works nowadays. Some people feel novellas and novelettes have difficulty getting published these days, and if they do they are usually combined with similar works.
In the end, it all comes down to the writer. It’s up to the author whether they want to define their work as novels, novellas, novelettes, short novels, or short stories. Length is applied in the public consciousness, but maybe it doesn’t have to. Does length and its description on the title page affect the customers decision to purchase or pass? What do you think?
- Meer, Syed Hunbbel. Differences Between a Short Story, Novelette, Novella, & a Novel.
- Playwriting 101. Chapter 1: The Play’s the Thing.
I’m sure many of you are eager to hear the status on Mystical Greenwood. So as a little treat on this Christmas Day I thought I’d share some updates.
To begin with, if you haven’t yet be sure to watch the book trailer!
Many thanks to Jamie Johnson of Mockingbird Lane Press for an excellent job, and also to songwriter Lee Chapman for the wonderful musical score. Some of you already know this, but Mystical Greenwood includes within its story the lyrics I wrote for two songs. Lee has composed music for both of them. The music in the trailer is for one of those songs.
I’ve gotten through the hard proof round of editing. It sure was a thrill to hold my book in my hands. I do not have an official release date yet, but it looks like Mystical Greenwood may be ready sometime in the coming months! I’ll make an announcement when it’s available. The cover art should follow on Deviant Art soon after the book’s publication.
As you saw from the trailer, when it’s officially released, it will be listed on Amazon and Barnes & Noble. It will be available in both paperback and e-book (downloadable to Kindle and Nook). Be sure to check the Events page for future events. I definitely want to organize a launch party once the book is released.
I’m looking forward to the new year! Once again, I’m thinking of resolutions. Those pertaining to writing include completing at least one draft of a new book (specifically those two that are in progress), and of course making Mystical Greenwood a success. You can help me there by reading it, reviewing it, and spreading the word.
Writers can certainly have visions of how they want their books’ interior to look when readers open them, with such things as drop caps and fancy-looking fonts for the title and chapters and body. For those who self-publish, it’s certainly up to them what design they want. However when submitting to agents and/or presses, they’ll rarely accept a manuscript that’s been elaborated as such. It needs to be easy for them to read and edit, similar to how play and film scripts must be easy for actors to read. Design for novels comes later. I’ve found it best to use a manuscript format while writing. It makes it a lot easier to focus on the story. A similar situation I think most people can relate to would be school papers; teachers and professors often give specific formatting guidelines to their students, based on their own preferences.
Agents and publishers will often have their own preferences that they specifically ask for or use later, but there are some commonalities I’ve found in advice and tips already out there, and from my own experience. What follows are some personal observations and recommendations based on some of these commonalities. Note: this discussion focuses specifically upon novels, as opposed to plays or screenplays (both of which I’ve learned have their own formatting guidelines), and using Microsoft Word.
Now, writers can go in manually and adjust, or modify text formats and headings so they can just be chosen. When it comes to the text, Left is preferred rather than Justified, and no hyphenating (both will come later, with the final layout). Tabs aren’t recommended; instead, format paragraphs so the first line is always indented. The only paragraphs which don’t have to be indented are the first in each chapter. With titles and chapter headings, I’ve learned it’s best to Center and Bold them so they stand out. Italics are used only when there’s a specific need for them, such as for internal thoughts.
When it comes to font, a small handful are generally preferred: Times New Roman, Arial, Courier New, and probably Calibri and Cambria now. Make it all size 12 (except the book title if you wish). I also turn off the Widow/Orphan Control when setting the paragraph format. Why? Say there are one or two lines left on a page for a brand new paragraph. It’ll automatically instead go over to the next page and you have an empty line. Turning off the Widow/Orphan Control prevents that, so a page’s entire space is used. 1″ margins and regular paper size (8.5″ x 11″) are also preferred. Old school would have two spaces after every sentence, but nowadays it’s just one. Some would have the book title on the same page as the first chapter. In other cases there’s a separate title page, which I personally prefer. I also make it a separate section from the chapters, so it doesn’t have page numbers like they do (which are typically centered in the footer).
In the end, I now think of manuscript formatting this way: it’s a book ready to receive edits as well as an elegant design, just as a play or script is ready to be read by actors. It’s beautiful in its own way, designed to be presented to the publishing world. If you have experiences and/or opinions of your own on formatting a manuscript, please feel free to share them.
- SMF – Standard Manuscript Formatting.
- Dacus, Kaye. Manuscript 101–Introduction & Basic Manuscript Format.
- Fogarty, Mignon. Two Spaces After a Period.
- Hill, Beth. Format Your Novel for Submission.
- Kewin, Simon. 16 Manuscript Format Guidelines.
- Klems, Brian A. What Are the Guidelines for Formatting a Manuscript?
- Williamson, Jill. How to Format a Fiction Manuscript.