Many thanks to Jenny for a wonderful opportunity to promote Beneath the Deep Wave and another upcoming anthology from Fae Corps Publishing that I’ll be featured in.
Wishing all my fellow Americans a Happy Labor Day tomorrow.
Many thanks to Jenny for a wonderful opportunity to promote Beneath the Deep Wave and another upcoming anthology from Fae Corps Publishing that I’ll be featured in.
Wishing all my fellow Americans a Happy Labor Day tomorrow.
Recycling is something we’ve been told since childhood is vital for protecting our Earth, and I don’t dispute that. Today, however, I want to talk about another kind of recycling, one which may serve writers well, especially if they are suffering writer’s block. This is literary recycling.
And no, I do not mean recycling entire plots or characters. Definitely not. That would be counterproductive. Every writer, in my opinion, ought to strive for something different in every project. Recycling entire plot structures or character arcs would not only be boring for readers but also indicate to them that the writer isn’t showing any growth in their art.
What can you recycle literary wise, then? Scenes, scenarios, passages, anything that will not simply fit during the editing process. This was something I first discovered during my long and checkered history of writing Mystical Greenwood. New scenes were written, and some were altered, characters removed, names changed, etc. All for the sake of pace and telling a better story. That left some passages cut through different drafts, ones which I simply couldn’t fit back into the story. But I liked them. I didn’t want to simply trash them.
Instead, I used some of them as starting points in Beneath the Deep Wave. And you know what? The same thing happened again! Some bits were moved around, and a few would no longer fit within. So I’ve decided to simply use them again, but this time for the third One with Nature book. A few others were also saved for other projects that I thought they would work better in. They simply would require a few tweaks, such as changing names or other factors to accommodate different settings and structures.
It’s a good feeling to not entirely throw out some words you’ve written, especially when it might be possible to fit them into a different puzzle, perhaps even better that what they might have been before. The only other thing I would caution is be careful not to inadvertently use the same plots or plot elements over again. When I first started my pets mystery in college, at some point I realized I was using some similar elements to my fantasy story. I knew I had to make some changes.
Don’t forget that Beneath the Deep Wave is coming out next month! One another announcement: I have reopened my social media accounts on Twitter/X and Tumblr, with the same usernames as before. It wasn’t an easy decision, nor a light one. I remember leaving them for the sake of my mental health, and in the former’s case, it hasn’t had the best reputation, especially since its rebranding. but I am also aware that I did gain followers and readers/reviewers on each. Hopefully, I will be able to use them now wiser than before. So, if you were following me there before, you can do so again. Don’t forget about my other sites as well.
To all my fellow Americans, I hope you had a happy 4th of July yesterday.
With the new year coming, we always think about what we’re going to do differently. I’ve discussed resolutions before, but now I’ll speculate on where things may be going next for me as a writer.
Presently, the sequel to Mystical Greenwood is is in the hand of beta readers, and Fae Corps is aiming to release it in late August, just as the second edition of Mystical Greenwood was. Editing it had been my focus at the end of last year, and since I have always intended for the One with Nature series to be a trilogy, that means there will be one more book about Dermot and his fellow sorcerers.
But as I’ve said so many times, I don’t want to be confined to just one or two genres, so I do hope to venture out into all the others. I’ve had, over the years, different ideas for each, but I have discovered that I can only work on really one or sometimes two at a time. Many of them have really never come to fruition and remained solely based on themes or interests of mine that I’d like to pursue. Now, they could be late bloomers, but an episode of the Merry Writer Podcast from last year encouraged me to consider that I ought to be willing to let go of ideas that don’t grow. That could be.
True, I may not totally give up on all bits of them, but perhaps letting go can lead me to discovering new, better ones instead. Outside of One with Nature, that one mystery story involving abused pets has had the most attention, mainly because of how it had once been a college assignment. Still, I hope to finish it. Some of those themes previously mentioned are in mystery and horror, and I would like to do something in science fiction. I also hope to find some ways to dust off stories from history that, to me, aren’t as well known, but I admit that some of my favorite historical periods have been popular in fiction and film. I would also like to explore science fiction, but nothing concrete has formed in my head.
I won’t go into too many details, but just know that other ideas are there. Plus, they may not all be unique, something discussed in another good Merry Writer Podcast episode, but as long as I have some that I feel are unique, I’ll be content. Case in point, some reviewers of Mystical Greenwood described it as a typical fantasy hero’s journey, which it is, but that the focus on Nature made it stand out. Well, we’ll see where this year goes. Last year I resolved to be more positive and less worried about being perfect. I don’t believe I kept that. All I can do is try again and keep trying.
Many thanks to Sally Cronin for featuring Mystical Greenwood in her Christmas Book Fair. Enjoy this reading from earlier this week of a sneak peek from my next book. Happy Holidays to all!
If you missed my presentation on manuscript and book format last month at the Maryland Writers’ Association Annapolis chapter, here it is on YouTube:
It was a hybrid meeting, both in-person and online, and it was my first time recording a presentation on Zoom. Here’s the handout:
For those of you who’ve been following me for some time now, if some of this sounds at all familiar, I did a post on this subject many years ago:
With the holidays approaching, I hope you’ll consider buying either Mystical Greenwood (remember, the second One with Nature novel is being edited!) or one of the anthologies that features my work, such as the Christmas anthology I mentioned that features one of my short stories, “The Red House.”
It’s on Goodreads too! This was a short story written during my high school years that I’d thought lost, along with “Crossing the Estuary” in Fae Dreams. But I rediscovered both, thankfully, and here they are.
I’m continuing to edit the sequel to Mystical Greenwood. Remember, the holidays will be coming, and books make great gifts! Be sure to browse my publications. Happy reading!
Many thanks to Craig and Roland of The Hidden Gems Author Podcast for featuring me in their 89th episode! I discuss with them the challenges I’ve had to face as an author due to my Asperger syndrome.
You can also listen to the episode on Podbean! If you’re an author with a writing-related subject you want to discuss, be sure to check them out!
And many thanks also to Sally Cronin for featuring an excerpt from Mystical Greenwood on her blog! Maybe that’ll entice you buy it! If you’re an author looking for more promotional opportunities, be sure to check out Sally’s site!
Plus, I have more great news! A few weeks ago, after so much time, I finally completed a draft for the next book in the One with Nature series! Not only that, but Fae Corps is also aiming to publish it next August!
If you’re planning to attend the Maryland Writers’ Conference, I hope to see you there. I am also giving a presentation on manuscript and book formatting later this month. You can attend in person or via Zoom. You can promote it on Facebook too!
It’s a question that all writers get asked at least once, including me. Some writers plan everything out in advance. Others make it up as they go, writing off the seat of their pants. It’s one of those things where writers seem to fall into one of two camps, it seems, similar to print vs. digital books when reading.
There are pros and cons for each method. With plotting, writers know exactly where they are going and able to consistently progress with their outlines, and so the likelihood of writer’s block is much smaller. I imagine that with some genres with plotlines or formulas already laid out, like the hero’s journey, historical fiction, or cozy mysteries, plotting might be easier for some. On the other hand, if the situation should arise where the writer doesn’t like where the story is progressing or even a specific element, starting over is even more difficult. I’ve encountered this feeling whenever I’ve grown dissatisfied with character names and wanted to rename them or other details, and often it feels like the only way I can move forward is to start over.
Being a pantser, in contrast, offers more freedom and flexibility. A story can develop more fluidly and build upon itself like a voyage of discovery. Opportunities for creativity are greater, but, as one would expect, so is the possibility of running into writer’s block. Most people I’ve met have expressed their surprise when they learn I’m not a full-blown plotter, because, as someone on the autism spectrum, I do prefer to plan ahead with many things, and have a preference for patterns and routines, in my life as a means to avoid anxiety. But life doesn’t always work out like that, and I get anxious anyway, so I have tried to not always have patterns, and some have been given up, I’m happy to say, because I’ve learned I don’t always need to have them.
Nevertheless, I’m also aware that even careful planning doesn’t always lead to things working as hoped for. But does that mean I’m a pantser? No, not entirely. Every writer has their preferences. Some see the first draft as their plotting, or seek a middle path, what is called a plantser. So perhaps this is like planting seeds and then watch them grow.
I don’t know if I even fall into that category. It could always change in the future. But I think that just like with print vs. digital books, we shouldn’t simply fall into camps because of what we prefer. Everyone has their preference and should be respected for it. I just write, and I am constantly seeking my own way, which is always evolving.
P.S. Check out the Moonstone Arts Center’s 2023 haiku anthology. It features five of mine! I also changed the site’s theme a few days ago. I hope you like it!
A few things have been happening over the past month. To start, many thanks to author and blogger Sally Cronin for featuring a blog post I did last year in her archive series:
The holiday anthology featuring my short story isn’t out yet. However, my sonnet “Knights in Shining Armor” was featured by Southern Arizona Press in their new poetry anthology Castles and Courtyards.
I hope you’ll read and review it, along with my other published work! If you’re a poet looking to get your poems featured, be sure to check out SAP’s current submissions!
Additionally, I recently learned that a micro memoir piece that I wrote has been accepted by an online religious literary magazine, WOTL!
If you’re interested in giving a presentation at the 2023 Maryland Writers’ Conference, the Maryland Writers’ Association is accepting submissions! It’ll be in person in October, so you know.
At the beginning of this year, I made a resolution to be more positive. It hasn’t been easy, but after the Easter holiday, I was resolved to keep faith in myself and continue toward that resolution. Even after Easter, though, I have still found myself feeling low and battling self-doubt, which makes me question my previous accomplishments.
Nevertheless, I know need to keep going, and I may have to reevaluate my Internet and social media habits even further as well. I’ve tried being more productive and mindful of my time, though I’m not sure I’m satisfied yet. But at least I’m aware of this, and I know I need to once again remember to believe in myself.
I’m happy to announce to you all that a short story of mine is appearing in an upcoming Christmas anthology by Mystic Publishers, Inc. this year!
The story is called “The Red House,” and has its origins in my high school years of writing. Like pretty much all of my writing attempts from back then, I’d thought it lost, until one day when I discovered a printed copy of it along with some other pieces (including what would become “Crossing the Estuary” in the Fae Corps anthology Fae Dreams).
More details to come!
Time is a curious thing. I’ve found when we focus on time, it seems to drag on at a snail’s pace. Yet when we do not pay attention to it, it flies right past. When it comes to fiction, time can play an interesting function. Stories and novels can take place from anywhere to the course of a single day (or less) with a few characters, to several years, decades even, covering generations of people. At other times, a story can seem to go by slower or faster than it really does. Simply put, in stories, as in life, time and how much we pay attention to it can affect how things play out.
A story that takes place in a short amount of time by drawing it out, such as chapters and sections being either specified by time (like a subtitle) or within the text (such as a character mentioning the time). The constant mention of time helps to make the shorter time feel longer. With a story set out over a long period of time, I usually have found there isn’t as many references to the time, which can make the time go faster. Interesting paradox, isn’t it?
I also want to talk about time in a different sense. Perhaps all writers think about what shall become of their work as time goes on. This became more apparent to me because I recently learned that my novel’s publisher, Mockingbird Lane Press, has sadly had to close. No doubt writers want their work to outlive them, to still be read and assessed long after they’re gone. It does seem that any work defined as a literary classic these days is one that has withstood the test of time, to still be printed and sold years, centuries, after it was first published. There are many writers who are remembered for a single thing out of their entire literary output.
Sometimes I think writers wish they could see where their work goes in the future, similar to how in an episode of the Spanish TV drama El Ministerio del Tiempo (The Ministry of Time), a cynical and suicidal Miguel de Cervantes was shown by the protagonists the impact Don Quixote would have on Spain and the world in the centuries after his time (their goal was to ensure its publication, as they’d faced a threat it might not be, thus changing the course of history and literature). Their efforts gave Cervantes the courage and drive to finish Don Quixote (specifically the first half, as the book was actually in two parts with more than a decade in between being published), and go on with his life, thus ensuring he and his magnum opus would make history. In the end, I suppose, what matters is hope: hope that something creative will someday reach that level.
Time is indeed a curious thing. But it keeps going on, as must we. And don’t worry, I do intend to republish my novel.
Many thanks to singer, songwriter, and fellow fantasy author Marie Sinadjan for the opportunity to be interviewed on her blog:
Author Spotlight: Andrew McDowell
P.S. I’ll be giving my Importance of Names presentation once more, at the Cumberland Chapter of the Maryland Writers’ Association on the 20th at 7:00 PM EST via Zoom. If you haven’t seen it yet and still want to, register online! It’s on Facebook, too! It will also be a hybrid meeting for those who want to be at the chapter in person (my Events page has the address). Though I will be on Zoom, I hope to see you all there either way!