Beta Readers, Critique Groups

Beta readers help polish writers’ work in preparation for submitting to publishers. Sometimes they work with one another one-on-one. Sometimes they form critique groups, where members share their work and receive critical but constructive feedback from everyone. What makes them helpful and essential is they aren’t necessarily in the publishing profession. They are people whom writers can trust with their earliest, roughest drafts. They are in effect the first step to sharing work with the world.

Some say it’s not a good idea to share drafts with family. Well, family is the first source of encouragement and support, and sometimes there are relatives that can offer constructive feedback. Nevertheless, it’s important to interact with and receive feedback from people who aren’t family, but who are passionate about writing and/or are seeking publication. Sometimes they are already published and can offer insights into the process. They will provide more critical and constructive feedback, which is necessary for growth as a writer.

I’m sorry to say that critique groups don’t always last forever. For different reasons, members leave (usually for personal reasons, which is completely understandable). What’s important is whether the groups and members have something to teach you and make you stronger. I’ve have been in quite a few critique groups since I joined the Maryland Writers’ Association, and even started one of my own. I have found it to be an extremely beneficial and motivating atmosphere.

Good beta readers not only state what they don’t like, but also explain why and offer suggestions as to how to improve it. They are fair and respect the submitting writer’s feelings. Writers don’t always have to agree with beta readers’ suggestions, but listening to and appreciating them will benefit them. Those who only say they don’t like a writer’s work—if they put the writer down in their work and/or as a person—they aren’t worth staying with. And they are out there, unfortunately. I’ve encountered such people. But in such cases, the best thing was to move on, learning from those experiences and my mistakes what it means to be a good beta reader.

Writers must remain respectful of beta readers. They too have feelings, dreams, and opinions. They build one another up, which is how they all move forward. It’s best to move on when things don’t work out, especially if you receive negative feedback instead of constructive feedback. If someone doesn’t help, or isn’t willing to give you a second chance when attempting to make amends, don’t stay with them. Find people who will.

Further Reading
  1. Meghlen, Ari. Why you need to have Beta Readers.

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Comments

31 responses to “Beta Readers, Critique Groups”

  1. sharonledwith Avatar
    sharonledwith

    Well said, Andrew. Also, make sure a critique group doesn’t criticize in such a way as to change an author’s authentic voice. Cheers and happy writing, my friend!

    Liked by 4 people

    1. Andrew McDowell Avatar

      Thank you. Cheers and happy writing to you too!

      Liked by 1 person

    2. Liz Gauffreau Avatar

      You make a very good point about staying away from critique groups whose feedback is essentially, “You should write this the way I would have written it.”

      Liked by 1 person

  2. Anne Clare Avatar

    Well explained :) I appreciate that you leave room for family involvement, too. If it hadn’t been for family and friends I trusted reading my work, I would have been MUCH less likely to risk letting strangers read it!

    Liked by 2 people

  3. Karen DeMers Dowdall Avatar

    Andrew, wonderful advice for all writers. I think, as you suggested, that family is very important when it comes to reading drafts. They are very trueful, helpful, and don’t hold back when critiquing,at least concerning my experience with my family. Of all groups that read drafts family members are so important, because they do have a vested interest. They want their family member to be successful.

    Liked by 2 people

      1. Karen DeMers Dowdall Avatar

        Thank you Andrew for sharing! :)

        Liked by 1 person

      2. Karen DeMers Dowdall Avatar

        Andrew, my pleasure. Karen Anna

        Liked by 1 person

  4. Lorraine Ambers Avatar

    Fantastic post, I agree with everything you say. 😊

    Liked by 1 person

  5. Peregrine Arc Avatar

    Nicely written, Andrew.

    Liked by 1 person

  6. rosejfairchild Avatar

    I always start with family. I have some brutally honest people there who happen to be really great editors! :-) I do need to find some sort of writer’s group though. Non-family beta readers would be good to have, too. Thanks Andrew!

    Liked by 1 person

    1. Andrew McDowell Avatar

      You’re welcome.

      Liked by 1 person

  7. JoHawkTheWriter Avatar

    Andrew, you offer great advice.

    I only wish I could find a good critique group. I know my writing is far from perfect, but the typical response I get is along the lines of “this is good” with a couple of suggestions about a comma here or there. Sometimes being nice is not at all constructive. No worries, I will keep looking. 👍🙂

    Liked by 1 person

    1. Andrew McDowell Avatar

      Thank you. Best of luck!

      Liked by 1 person

  8. FairytaleFeminista Avatar

    Critique partners and beta readers are crucial and the unicorn of my writing career!

    Liked by 1 person

  9. lckain Avatar
    lckain

    Thanks for posting, Andrew! I find it exceedingly difficult (so far impossible) to get Beta Readers at all, much less who understand my genre. The Beta readers I’ve encountered have expectations of the work that follow the formulae of fantasy, crime/detective, thriller, science fiction, romance, or dystopia. The genre of my novels are between literary and commercial/general. The first one is more mainstream women’s fiction (NOT romance) and the second is closer to literary … sort of a “family saga” with dark psychology and five violent deaths. I’ve had experience with readers wanting to know why stakes aren’t “hit ’em over the head” obvious in the first paragraph.
    And Critique Partners? Getting feedback on 5-15 pages once or twice a month can’t make it through my book before I’m old & grey. :-)

    Liked by 1 person

  10. -Eugenia Avatar

    Thank you for the advice, Andrew!

    Liked by 1 person

    1. Andrew McDowell Avatar

      You’re welcome.

      Liked by 1 person

  11. Chris Avatar
    Chris

    Nice summary of the plusses+pitfalls of critique groups ! Sounds like the voice of experience !

    Liked by 1 person

  12. Ari Avatar

    Well said and how very true. Also, thanks so much for including a link to my article!

    Liked by 1 person

    1. Andrew McDowell Avatar

      Thank you, and you’re welcome!

      Liked by 1 person

  13. YariGarciaWrites Avatar

    I’m very masochistic when it comes to others reading my drafts and giving me feedback. Hurt me! LoL That’s the only way I can grow :-)

    PS Saw you have a YouTube. Very nice, my friend!

    Liked by 1 person

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