Love is in the Words

Romance has long been considered an important component of literature and drama. It draws them in, including me. People love to praise those who make huge sacrifices for love. Readers like to see it blossom and endure amid great trials and hardships, to see it conquer all. Unfortunately, sometimes fans can get so obsessed with notions of romance that they can lose their hold of reality.

Modern adaptations of classic stories alter characters for the sake of romance. Helen of Troy has been portrayed as falling genuinely in love with Paris rather than being under a spell, as she was originally in The Iliad. In some adaptations of The Legend of Sleepy Hollow, Ichabod and Katrina are in love, with Ichabod as a noble hero, whereas in the original story his motives are anything but honorable, and it’s implied Katrina, who was rather vane, merely used him to make Brom Bones jealous. Even villains like Dracula, who originally had no qualms over their actions, have become “humanized” and anti-heroic via romance. Romance appeals to people.

Within fandoms and fanfiction, I’ve seen “shippers” when there’s a love triangle and even with characters who either didn’t end up together or weren’t in love. Margaret Mitchell was hounded by Gone with the Wind fans wanting to know if Rhett and Scarlett reunited. She never gave them a definitive answer, because that wasn’t the point of the story. It’s been suggested some (but not all) fans don’t care about reason, wanting a romantic ending no matter how much it defies logic.

So is there a danger when writers incorporate romance into stories? Yes. There have been articles and books discussing how reading romance novels can be dangerous for one’s physical and psychological health, because in searching for love in real life, readers may aspire to an idealized image found only in fiction. Some try to play it out, thinking it’ll end like in stories. The result is grave disappointment, because in real life nothing is perfect. In Sense and Sensibility, the romantic Marianne falls for the handsome, dashing Willoughby and wears her heart on her sleeve. When he leaves her and marries for money (after being disinherited for abandoning another girl he got pregnant), Marianne wallows in grief, to the point where she endangers her health and nearly dies.

So what can writers do? Recognize the power stories have to shape readers’ views on love. Perhaps aim to show love isn’t perfect, with fights and disagreements, but still satisfy readers. Marianne finds love in Colonel Brandon and gets a happy ending, but she matures and sees the error of her past conduct. Another thing to bear in mind is that sometimes relationships don’t work out. Seldom is a first love everlasting, especially with teenagers. At other times, there isn’t a happy ending but hope for a better future.

I don’t dismiss the power and importance of romance. It’s needed in some (but not all) stories. But writers and readers alike need to understand genuine romance is gradual, with ups and downs. As Shakespeare says, “The course of true love never did run smooth.” And as I learned in church, love is an umbrella term used for many situations that aren’t identical. Furthermore, what may appear to be love isn’t necessarily love. They say love is blind; so is obsession. Love not built on a solid foundation of friendship, mutual trust, and respect, is the easiest—and fastest—to crumble.

Resolutions

It’s a new year! I’ve always found it remarkable how time flies, especially when we’re not really paying attention to it. It’s only when we’re constantly noting it that everything is going extremely slow. But more importantly, reflecting on times past helps one see just how far one’s come, and to prepare for the future, which I think everyone can agree is on people’s minds right now, with the notion of New Year’s Resolutions. Ever since I took my writing seriously, there have been resolutions related to writing every year.

I started my website over four years ago. There’s been a lot of trial and error in building and designing my website, and those of you who’ve been loyal followers, thank you for your support. Thanks also to those who have read and reviewed Mystical Greenwood. Over this time, I’ve been fixing a number of grammatical errors, but as frustrating as it has been, I’ve learned from them—not only new things about language that have helped make me a better writer, but that no one and nothing will ever be truly perfect—not even writers and their work. I’ve come to accept that, and people have for the most part been understanding and kind. The majority of reviewers so far have enjoyed it and written favorably about it. Plus, the book was a finalist in a contest!

This past year I didn’t plan that many public appearances and book signings. I made a few, but not throughout the entire year, and the year before some didn’t draw large crowds due to a lack of planning. But others did. Perhaps my most successful was my discussion on the importance of names. This year I know I’m going to have to do more of them in order to spread the word and get more readers and reviews. To start off, in a few weeks I’ll be signing copies of Mystical Greenwood at an indoor yard sale at Nichols-Bethel United Methodist Church. I’ll giving my aforementioned discussion on names once again at the end of February, this time for the Baltimore chapter of the MWA. I also hope that I will be able to sign and sell copies of my book at the 2020 Maryland Writers’ Conference at the end of March!

And of course there are online appearances—I have in the past couple of years made several guest appearances on other blogs and a podcast, and I’m always looking for more opportunities. Anyone who would like for me to be a guest speaker or blogger can always reach me via this site’s Contact page. Perhaps most importantly, I need to place some serious focus on future works, especially the sequel to Mystical Greenwood. A number of reviewers have expressed their interest in finding out what happens in the next book, so I have to get on that so they will not be waiting forever! Here’s hoping for a good year with good memories and prolific writing!

Updates on Works in Progress

Hopefully by now, most of you have read Mystical Greenwood and are eagerly awaiting the sequel. Well, I thought I’d talk a bit about where I am presently with my current projects. Uh oh, spoiler alert! Hopefully these aren’t big spoilers but teasers. I’ll do my best to refrain from giving too much away. Consider it an early holiday gift.

As I said, there is a sequel to Mystical Greenwood in progress. From the beginning, I’ve wanted the One with Nature series to consist of three books. I know how I want the second to end, but it won’t be the end of the story, so the third book has that purpose already (and I even have a vision of how I’d like it to end). Having focused on forests, I intend to take my characters to another important realm of Nature: the sea (as well as emphasize other bodies of water). So there will be an exploration of and emphasis on aquatic life, and as I hinted before, I’d like to include some more mythical creatures. Taranis will raise the stakes of his fight, and the sequel will include an element Mystical Greenwood lacked: romance.

Anyone who’s seen my works in progress page knows there’s been another story in the works, set in the real world dealing with pets who are neglected and abused. I started it as a class project back at St. Mary’s College. Anyone who knows me knows how much I love animals, and it pains me to think of how many pets—not just dogs—suffer in this world and are deprived of love and comfort. A number of other projects and short works are also in the early stages/idea phase. Things to look forward to in the future!

In addition to these large works, I have short ones too that I’m trying to publish. I’ve had some poetry published this year, and there’s a lot more. I also have two completed short stories. As I’ve said from the beginning, I want to explore various genres and forms of writing. I’ve had a wide variety of interests throughout my life, and perhaps that’s due to my Asperger syndrome. But I definitely want to explore them in writing. I’ll be sure to post updates when they come.

Be sure to check out my Events page for upcoming appearances! Also, registration is open for the 2020 Maryland Writers Conference. Early bird prices go until New Year’s Eve! If you’re interested, go to the MWA website to learn more!

And of course, if you haven’t yet, I hope you’ll read and review Mystical Greenwood! And if you know someone who loves reading fantasy and loves Nature, books make great gifts during the winter holidays! In Iceland, a country with a high reading and publication rate, there is a tradition of exchanging books on Christmas Eve known as Jólabókaflóð, or the Yule Book Flood.

Mystical Greenwood is available in Paperback, Kindle, and Nook:

US$: Amazon  |  Barnes & Noble  |  Books-A-Million

UK£: Amazon.co.uk  |  Foyles  |  Waterstones

CA$: Amazon.ca

Be sure to add it to your to-read list on Goodreads! The cover art is available at Deviant Art. Don’t forget to subscribe to receive notifications of new blog posts! You can also follow me on social media:

Facebook  |  Twitter  |  YouTube  |  Tumblr  |  Goodreads

Further Reading
  1. De La Mare, Guinevere. Jolabokaflod: Meet Your Favorite New Holiday Tradition.

Establishing Characters’ Motives

It’s probably a question you’ve asked yourself before when writing, and certainly one you must answer: what drives your characters? They all want something, just as people in real life want something. It can be love, hatred, power, wealth, knowledge, patriotism, disillusionment, honor, or something else. To help bring characters to life, good and bad, they need to have at least one thing that drives them, which can later on change, but ultimately helps bring the character to life as much as their individual personality traits.

You can begin with basic human emotions or desires and build them into one of many possibilities. As an example, if a character seeks knowledge, it could be knowledge of something or someone or oneself. It’s important for villains to have motivations as well as heroes. In Beowulf the titular hero seeks everlasting glory, while each of the monsters is driven by a dark desire: Grendel by envy (of the Danes celebrating, which links him to his Biblical ancestor, Cain, who killed his brother Abel out of envy), Grendel’s mother by anger (for the death of her son), and the dragon by greed (a single golden cup was stolen from his treasure hoard).

When characters are driven to commit crimes, they have simple motivations, which have different versions. Sometimes characters with similar motivations act differently upon them, or the other way around. In The Count of Monte Cristo, Danglars wants Edmond’s captaincy while Mondego wants Edmond’s fiancé. So they conspire to frame him for conspiring to help Napoleon Bonaparte. For Danglars it’s a crime of profit; for Mondego it’s one of passion. Villefort realizes there actually is a conspiracy to help the deposed emperor, not involving Edmond but his own father, which would hurt his political ambitions if revealed. So he has imprisoned Edmond without trial to protect himself. Edmond is therefore motivated to enact revenge upon them all.

Often motives can be influenced by characters’ backgrounds and circumstances. One well-known stereotype is the evil twin, who is the protagonist’s mirror image (though sometimes evil twins have facial hair or scars). But in many stories there are simply siblings—not necessarily twins—where one’s good and one’s evil. When the younger is evil, (s)he tends to be envious at not being the oldest and thus the heir. But when the older is evil (not to say (s)he can’t be jealous of the younger sibling), (s)he is proud of being the oldest and heir, to the point of narcissism and arrogance. When there’s more than one sibling, it can lead to middle child syndrome, where the second child feels unloved and/or like an outcast because the third is the “baby” and the first is the heir.

Then there’s the notion of a character foil: someone who contrasts another character, usually the protagonist. Foils can be villains like evil twins, but they can be good too. They are similar in one or two ways to a protagonist but in every other way aren’t. Sherlock Holmes’s older brother Mycroft shares his amazing power of deduction and more, but doesn’t use it to earn a living since, as Sherlock puts it, he lacks ambition and energy, and hates fieldwork.

As I said earlier, motivation can change, especially if a character isn’t sure at the start what drives him or her. Perhaps they are searching for what it is they want out of life. In every case, having motivation drives characters, and thus readers’ investment in them.

Further Reading
  1. Character Motivation: How to Write Believable Characters.
  2. Marie, Katie. Character motivations and why they are so important.

Happy Veterans Day! Many thanks to all who served!

Beta Readers, Critique Groups

Beta readers help polish writers’ work in preparation for submitting to publishers. Sometimes they work with one another one-on-one. Sometimes they form critique groups, where members share their work and receive critical but constructive feedback from everyone. What makes them helpful and essential is they aren’t necessarily in the publishing profession. They are people whom writers can trust with their earliest, roughest drafts. They are in effect the first step to sharing work with the world.

Some say it’s not a good idea to share drafts with family. Well, family is the first source of encouragement and support, and sometimes there are relatives that can offer constructive feedback. Nevertheless, it’s important to interact with and receive feedback from people who aren’t family, but who are passionate about writing and/or are seeking publication. Sometimes they’re already published, and can offer insights into the process. They will provide more critical and constructive feedback, which is necessary for growth as a writer.

I’m sorry to say that critique groups don’t always last forever. For different reasons, members leave (usually for personal reasons, which is completely understandable). What’s important is whether the groups and members have something to teach you and make you stronger. I’ve have been in quite a few critique groups since I joined the Maryland Writers’ Association, and even started one of my own. I have found it to be an extremely beneficial and motivating atmosphere.

Good beta readers not only state what they don’t like, but explain why and offer suggestions as to how to improve it. They are fair and respect the submitting writer’s feelings. Writers don’t always have to agree with beta readers’ suggestions, but listening to and appreciating them will benefit them. Those who only say they don’t like a writer’s work—if they put the writer down in their work and/or as a person—they aren’t worth staying with. And they are out there, unfortunately. I’ve encountered such people. But in such cases, the best thing was to move on, learning from those experiences and my mistakes what it means to be a good beta reader.

Writers must remain respectful of beta readers. They too have feelings, dreams, and opinions. They build one another up, which is how they all move forward. It’s best to move on when things don’t work out, especially if you receive negative feedback instead of constructive feedback. If someone doesn’t help, or isn’t willing to give you a second chance when attempting to make amends, don’t stay with them. Find people who will.

Further Reading
  1. Meghlen, Ari. Why you need to have Beta Readers.

Guest Appearance at Shortprose!

Check out my latest guest appearance, where I discuss the origins of what first inspired me to become a writer! Many thanks to my friend Gabriela, who blogs at shortprose.blog, for this wonderful opportunity!

via Meet a young author: Andrew McDowell #guest post

Thank You

To all those who’ve purchased, read, and reviewed Mystical Greenwood, I want to say thank you. Thank you for your support and encouragement. It was recently announced as a finalist in the Epic/High Fantasy Category of the 2019 American Fiction Awards, sponsored by American Book Fest.

If you haven’t yet, I hope you’ll consider reading my book and posting a review. Every review helps spread the word. I will be very grateful if you do.

Mystical Greenwood RGB

It is available in Paperback, Kindle, and Nook:

US$: Amazon | Barnes & Noble | Books-A-Million

UK£: Amazon.co.uk | Foyles

CA$: Amazon.ca

Be sure to add it to your Goodreads to-read list! The cover art is also available at Deviant Art. If you’re a fan, you can show it through your memorabilia!

Be sure to check out my publications in poetry and creative nonfiction as well!

Don’t forget to subscribe to receive notifications of new blog posts! You can also follow me on social media:

Facebook  |  Twitter  |  YouTube  |  Tumblr  |  Goodreads

What Banned Books Week is all about

Check out my guest appearance with the amazing author Ally Aldridge! On her blog, I discuss Banned Books Week (which is going to be September 22-28 this year) and the importance of creative and intellectual freedom for writers, librarians, and humanity. We have a few months to go, but there’s no harm in thinking about it early! Thank you Ally for this opportunity!

via What Banned Books Week is all about

Author Interview with M. J. Patrick

If you haven’t yet, check out my interview with fellow author and MWA member M. J. Patrick! Many thanks M. J. for this opportunity!

via Indie Author Spotlight: Andrew McDowell

Herbs in Mystical Greenwood

April showers bring May flowers. So this month I thought I’d talk about the herbs that appear in Mystical Greenwood.

Wortcunning is a real term that I found in my research. I liked it and chose to use it in the book. The herbs Saershe employs for medicinal purposes were likewise inspired by real herbs and the treatments for which they were used.

Here they are:

*Photos from Wikimedia Commons.

I’ve discussed before how fantasy can often be rooted in reality, especially when it comes to world-building. Originally when I was conducting research on herbs and plants for medicinal purposes, I chose herbs primarily for their purposes and didn’t give too much initial thought to where they came form. Eventually though I decided I wanted them to all have a generally similar place of origin to make the sense of reality stronger (similar to how I chose trees sacred to the ancient Celts), so some were discarded and new ones came in, specifically Comfrey and St. John’s Wort. Yarrow, wild mint, and red clover were there from the beginning and I’d decided were able to be kept.

Some are referred to by their proper names in the novel. Others are instead referred to by alternate names (which are given for those who haven’t yet read the novel). I didn’t set out to use those alternate names; I found them when I was reading about those herbs. I chose to use the alternate names because I felt their proper names sounded too modern and would not fit in a fantasy world (similar you might say to how dinosaur species in the Land Before Time films were referred to by names such as “Longneck” and “Sharptooth”).

Their healing abilities may be exaggerated for the purposes of storytelling, as Saershe also uses magic when employing them (it is a work of fiction after all), but I did try to make sure their purposes would be mostly authentic, and so the story did not stray out of that feeling of reality.

Don’t forget to order your copy of Mystical Greenwood!

US$:  Amazon  |  Barnes & Noble  |  Books-A-Million  |  Goodreads

UK£Amazon.co.uk  |  Foyles

CDN$:  Amazon.ca

If you enjoy the book, PLEASE post a nice review and spread the word! And if you’re a fan, order your merchandise on Deviant Art!

Further Reading
  1. Celtic Herbs
  2. Wildflowers of Ireland