Readers’ Wants

Back when I did my first blog post, I talked about what I called the “Misery Complex” (in reference to Stephen King’s famous novel), and how writers’ and readers’ wants can clash. Granted, not all fans are crazy and obsessive about authors and fictional characters, like Annie Wilkes, but there is no denying that once a story is out there, it can touch so many people in individual ways in that they feel a special connection. And as they become attached to fictional characters, it’s still important to consider their feelings. Or isn’t it?

I’ve noticed this especially in drama and TV shows, like Downton Abbey and Game of Thrones, with fans theorizing and predicting where the story and subplots will go or could’ve gone, along with characters, and expressing their upset when things don’t happen in a certain way. The latter is especially true when characters die, don’t end up together, or character growth just vanishes. To be fair, with killing characters, writers cannot always be hated and blamed the way they have been, especially in drama, when actors decide they want to leave and pursue other projects. It’s not always easy to explain a character’s absence once the actor leaves. There may not be actors in books, but still, it’s easier to put unwarranted blame on writers.

It’s true not everyone has a happy ending, and sometimes one bad turn can in the end lead to a good one, but is there a line that ought not to be crossed? I certainly cannot argue how upsetting it is when a story seems to building something or someone up only to not lead there at the end. When there’s an anticlimax to anything from a story line to a character arc to a romance, it is usually disappointing. I sometimes find myself imagining (not always in great detail) where things could’ve gone in a story where I felt writing was lazy. That’s what’s lead to a number of fans writing fanfiction.

But at least there’s one point on which writers and readers can agree: stories and characters matter, as does what happens to them. Nevertheless, they originate with the writers. I said in my importance of names presentation characters are the children of an author’s imagination. Well, the same can be said of stories as a whole: an author sires them, and then they venture out into the world. That’s why I firmly feel the author should have the final say in what happens in his or her work, and I’d hope readers would respect that.

But I’m not unfeeling towards readers. After all, writers seek out the opinions of others in beta readers and critique groups while they are developing the story. So yes, readers can have input, and sometimes fans’ suggestions can ignite a spark in the writer’s imagination when they can’t figure out where to take the story next (even if it isn’t what readers specifically want), especially within a series. So, in conclusion, they both matter. Readers’ opinions should be considered, but the final decision belongs to the writer alone.

P.S. I want to apologize for the inconvenience for those who saw this post in advance a few days ago. I meant to schedule it at a different time and clicked the wrong button. This was not intentional, but given the post’s subject matter, I can’t help but feel the irony. Happy Holidays!

Dusting Off Stories From History

Many thanks to historical novelist Anne Clare for this opportunity to discuss my feelings on using historical fiction to shed light on lesser known events in history!

Guest Post By Andrew McDowell: Dusting Off Stories From History

These are feelings I hope to follow when I venture into historical fiction someday!

Brain to Bookshelf Conference 2021

The Maryland Writers’ Association hosts a writers’ conference every year, except, of course, last year’s conference was cancelled due to the COVID shutdown. Normally held in March, they were able to host this one this past weekend. The main takeaway for me was being able to see a number of friends I hadn’t seen in so long, including authors A. L. Kaplan, Meg Eden, and Michele Chynoweth, and be in a familiar setting in person again, not unlike how it was when my critique group started to meet in person again a few months ago in our familiar haunt (no pun intended).

There were a number of interesting presentations from authors, including Jane Friedman, Mary Tilghman, Andrea Johnson, Edward McSweegan, Susan Moger, and Harrison Demchick, and I learned more about Balticon. I met a number of new people, and I was able to sell a few books! But there were some hard lessons I had to re-learn. When it comes to attending events such as this, pre-planning is vital. This was something I didn’t fully take into account that morning. I didn’t manage my time and drive well, and I made it there just in time to hear the first talk. What’s more, even though I signed up for both days, I didn’t realize until too late (shortly before the conference) that I had doubled-booked Sunday and couldn’t attend the second day. Still, I had a good time for the day I was there.

We’ll see what happens next year. I know now to remember to plan better in a number of ways. I guess I just had to get back into the rhythm of things. Maybe next time, if I can think of a new writing-related presentation, I can give it then. It is time to think up some new topics for presentation.

Speaking of presentations, I’ll discussing the importance of names for the third time next month on the 13th at 2pm Eastern Time. I hope to see you there! See my events page for the registration link.

Nosh with Chef Julie Interview

Many thanks to author and blogger Julie M. Tuttle for this wonderful opportunity! Check out my interview with her if you haven’t yet!

Author Spotlight- Interview with Fiction Writer Andrew McDowell and his Epic Fantasy Novel- Mystical Greenwood

Q&A with Elizabeth Holland

Check out this Q&A I did with author Elizabeth Holland:

Author Q&A with Andrew McDowell

Many thanks for this opportunity, Elizabeth!

Happy Holidays, everyone! Wishing you all a Happy New Year, especially after a year like this. Today is the day of the Winter Solstice, which is the origin of many winter holidays. As the light and warmth of the sun will return, may the new year bring new light and warmth for all of us! I am certainly hoping 2021 brings changes and progress both career-wise and in writing.

And don’t forget: books (and book reviews) make great gifts! My Amazon author page was updated to include more anthologies from past and present, including As the World Burns, which came out last month.

Merry Writer Podcast

Many thanks to my fellow authors and bloggers Rachel Poli and Ari Meghlen for featuring me on the Merry Writer Podcast! If you haven’t yet, listen as I discuss with Rachel how I came to be a writer:

The episode is on Podbean too.

Be sure to subscribe to the podcast to listen to their other episodes!

And be sure to keep an eye out on my poetry and short story pages for upcoming links to the anthologies Fae Dreams and Nightmare Whispers: Madness Echoes from Fae Corps Inc! They’re due to come out at the end of the month! Some links are already available for preorder!

Interesting to note that some of my work that will appear in those anthologies are tied with earlier days of writing. “Crossing the Estuary” was originally a high school creative writing assignment I’d thought lost but rediscovered. “Candlelight” was an assignment in college where we had to write a poem in the style of Edgar Allan Poe’s “The Raven,” following specific guidelines (yesterday was the anniversary of Poe’s death). I recall I actually started writing it on Halloween!

‘Through the Eyes’ of a Fantasy Writer

Here is my latest guest appearance, with the talented poet and blogger Vatsarah Stavyah, in which I discuss being a writer as well as my novel Mystical Greenwood:

‘Through the Eyes’ of a Fantasy Writer

Many thanks to Vatsarah for this opportunity!

And for those of you haven’t seen or heard yet, I am going to have some short works appearing in two anthologies from Fae Corps Inc, Fae Dreams and Nightmare Whispers, Volume II, scheduled to be released on Halloween! Another poem will be appearing in another upcoming anthology from Indie Blu(e) Publishing titled As the World Burns. Be sure to keep an eye on my poetry and new short story page for future links!

Also, as today is 9/11, I ask for a moment of remembrance for those who died on this day 19 years ago, and for those who were affected by it.

Behind the Book: Mystical Greenwood by Andrew McDowell

Check out this interview I did with my friend and fellow author Ally Aldridge as part of her “Behind the Book” series, in which I discuss my novel Mystical Greenwood. Many thanks, Ally, for this opportunity!

via Behind the Book: Mystical Greenwood by Andrew McDowell

Guest Barista, Andrew McDowell on Writer’s Resources

Check out this guest post I did for the Go Dog Go Cafe! Many thanks to Stephen and his associates for this opportunity!

Go Dog Go Café

Writers must read and conduct research to build their stories. No matter the genre, writers need to build plot and characters to create something that will appeal to readers, and there are many books offering tips and insights into these elements. I will discuss those titles I have listed for my own recommended resources and why I think they’re helpful.

Joseph Campbell’s The Hero with a Thousand Faces is one of the most well-known and influential books in the world. It draws upon many myths, identifying common characteristics and story elements to form what we know as the hero’s journey. Perhaps one of the most famous examples of Campbell’s influence is with George Lucas when he created Star Wars. There’s a reason why this book is helpful to writers: the hero’s journey appeals to people. It’s been depicted in many different ways, and stories do deviate at certain points (Frodo…

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Love is in the Words

Romance has long been considered an important component of literature and drama. It draws them in, including me. People love to praise those who make huge sacrifices for love. Readers like to see it blossom and endure amid great trials and hardships, to see it conquer all. Unfortunately, sometimes fans can get so obsessed with notions of romance that they can lose their hold of reality.

Modern adaptations of classic stories alter characters for the sake of romance. Helen of Troy has been portrayed as falling genuinely in love with Paris rather than being under a spell, as she was originally in The Iliad. In some adaptations of The Legend of Sleepy Hollow, Ichabod and Katrina are in love, with Ichabod as a noble hero, whereas in the original story his motives are anything but honorable, and it’s implied Katrina, who was rather vane, merely used him to make Brom Bones jealous. Even villains like Dracula, who originally had no qualms over their actions, have become “humanized” and anti-heroic via romance. Romance appeals to people.

Within fandoms and fanfiction, I’ve seen “shippers” when there’s a love triangle and even with characters who either didn’t end up together or weren’t in love. Margaret Mitchell was hounded by Gone with the Wind fans wanting to know if Rhett and Scarlett reunited. She never gave them a definitive answer, because that wasn’t the point of the story. It’s been suggested some (but not all) fans don’t care about reason, wanting a romantic ending no matter how much it defies logic.

So is there a danger when writers incorporate romance into stories? Yes. There have been articles and books discussing how reading romance novels can be dangerous for one’s physical and psychological health, because in searching for love in real life, readers may aspire to an idealized image found only in fiction. Some try to play it out, thinking it’ll end like in stories. The result is grave disappointment, because in real life nothing is perfect. In Sense and Sensibility, the romantic Marianne falls for the handsome, dashing Willoughby and wears her heart on her sleeve. When he leaves her and marries for money (after being disinherited for abandoning another girl he got pregnant), Marianne wallows in grief, to the point where she endangers her health and nearly dies.

So what can writers do? Recognize the power stories have to shape readers’ views on love. Perhaps aim to show love isn’t perfect, with fights and disagreements, but still satisfy readers. Marianne finds love in Colonel Brandon and gets a happy ending, but she matures and sees the error of her past conduct. Another thing to bear in mind is that sometimes relationships don’t work out. Seldom is a first love everlasting, especially with teenagers. At other times, there isn’t a happy ending but hope for a better future.

I don’t dismiss the power and importance of romance. It’s needed in some (but not all) stories. But writers and readers alike need to understand genuine romance is gradual, with ups and downs. As Shakespeare says, “The course of true love never did run smooth.” And as I learned in church, love is an umbrella term used for many situations that aren’t identical. Furthermore, what may appear to be love isn’t necessarily love. They say love is blind; so is obsession. Love not built on a solid foundation of friendship, mutual trust, and respect, is the easiest—and fastest—to crumble.