Brain to Bookshelf Conference 2021

The Maryland Writers’ Association hosts a writers’ conference every year, except, of course, last year’s conference was cancelled due to the COVID shutdown. Normally held in March, they were able to host this one this past weekend. The main takeaway for me was being able to see a number of friends I hadn’t seen in so long, including authors A. L. Kaplan, Meg Eden, and Michele Chynoweth, and be in a familiar setting in person again, not unlike how it was when my critique group started to meet in person again a few months ago in our familiar haunt (no pun intended).

There were a number of interesting presentations from authors, including Jane Friedman, Mary Tilghman, Andrea Johnson, Edward McSweegan, Susan Moger, and Harrison Demchick, and I learned more about Balticon. I met a number of new people, and I was able to sell a few books! But there were some hard lessons I had to re-learn. When it comes to attending events such as this, pre-planning is vital. This was something I didn’t fully take into account that morning. I didn’t manage my time and drive well, and I made it there just in time to hear the first talk. What’s more, even though I signed up for both days, I didn’t realize until too late (shortly before the conference) that I had doubled-booked Sunday and couldn’t attend the second day. Still, I had a good time for the day I was there.

We’ll see what happens next year. I know now to remember to plan better in a number of ways. I guess I just had to get back into the rhythm of things. Maybe next time, if I can think of a new writing-related presentation, I can give it then. It is time to think up some new topics for presentation.

Speaking of presentations, I’ll discussing the importance of names for the third time next month on the 13th at 2pm Eastern Time. I hope to see you there! See my events page for the registration link.

The Underground Library Society

Many thanks to author and blogger Charles F. French for this opportunity, inspired by the Book People in Ray Bradbury’s Fahrenheit 451, where I discuss one of my favorite classic stories—why it’s so special to me, and why I believe it’s worth preserving.

Let me say it was a tough decision, for there are many good books out there worth preserving. But when it came down to it—thinking of a classic story I’ve always come back to (in this case every December) and which is special to me—in the end I knew what my choice would be.

A New Addition to the U.L.S., The Underground Library Society: Andrew McDowell and Dickens’ A Christmas Carol

If anyone else might be interested in joining and posting about a book that you would choose to become in a world like the one Bradbury envisaged, please consider it!

Yes, Networking is Crucial

Years ago, I talked about using social media for promoting one’s work and oneself as a writer, which has become even more important because of COVID. But promotion and marketing are but a part of something more important for life as a writer: networking. The more connections you make, the better your chances are at improving your odds. And something else I’ve learned is that networking consists of so much more than social media. While technology has been playing an increasing role in life even before COVID, face-to-face interaction is still a vital part of networking, and one I think all writers crave and have missed during this pandemic.

I still have vague memories of the first time I went to a meeting of the Maryland Writers’ Association years ago. I was nervous at first, but I quickly realized I needed to return. And I have had no regrets since then. I’ve become friends with many writers, and I realized I am not alone. It was at a meeting of the Annapolis Chapter of the MWA where I learned of Mockingbird Lane Press from another author, and that’s how I came to submit Mystical Greenwood to them and was subsequently offered a contract.

Events like meetings and writers’ conferences are great ways to meet new people, pitch your work, and if your work is already published, to promote and even sell copies. There are also critique groups too. One can join one or start a group, and have beta readers who can offer a fresh pair of eyes. I’ve always enjoyed those offered by the Maryland Writers’ Association, and hope to go back to them when it’s safe to do so again. While it is certainly possible do do all of these things online, it isn’t the same as actually meeting fellow writers and shaking their hands.

Returning to my point about technology vs. face-to-face, with the former, which has increased due to COVID, there is, I have learned in years past, the chance that words and messages can be misinterpreted, and one cannot be sure as to what a person’s tone is. As a result, through my own personal mistakes, connections, related to writing and not, have been broken. Promotion via social media has also at times backfired. But even then, face-to-face interactions can go wrong too. In all cases, one has to be careful, and take responsibility for one’s mistakes and actions.

But the thing I’ve had to learn the hard way, as stinging as it feels, is that if someone doesn’t want to connect with you, or wants to break it off, you have to let it go. No one can be forced to connect, or stay connected for that matter. That’s another lesson I’ve had to learn the hard way. One can only invite/ask people. They cannot be forced to do what they don’t want to do.

Another lesson I learned the hard way is the importance of having business cards. I didn’t have any when I sold copies of Mystical Greenwood at the 2018 Maryland Writers’ Conference, and I knew afterwards I had to have them. I’ve been glad of it ever since.

So, if you aren’t already I hope you’ll consider following me on this site, as well as on social media!

Facebook  |  Twitter  |  YouTube  |  Tumblr  |  Goodreads

You can also follow my Amazon page!

Amazon  |  Amazon.co.uk  |  Amazon.ca  |  Amazon.com.au

Amazon.de  |  Amazon.fr  |  Amazon.in  |  Amazon.co.jp

Amazon.es  |  Amazon.it  |  Amazon.com.br  |  Amazon.com.mx

Perseverance and Faith

This is a guest sermon I gave at Nichols-Bethel United Methodist Church yesterday, discussing the importance of perseverance in writing and in other aspects of my life. Even if you’re not religious, I hope you’ll listen to this message and that it touches a base with and inspires you. Perseverance is vital to life, and for me, praying to God has helped me to keep persevering.

Criticism—Yes, It Can Hurt

Once a writer’s work is published it is out there—and at the mercy of the critics. Reviews are what help spread the word about their writing, but the simple fact is that not everyone is going to like it—or at least be glowing with praise. Of course, one would hope they would, but people have different likes and tastes, and so they will find certain things they like—and don’t like—about a particular work. A writer puts hours—years—of passion and hard work into it, and to have it criticized—yes, it can make a writer feel low.

I know. People have posted reviews of Mystical Greenwood over the past three years. Most, I’m happy to say, have enjoyed it. But there have been aspects about it that weren’t to their taste. For example, some thought the language was still too flowery, or didn’t like the alternating points of view, or had trouble connecting to the characters, or felt I didn’t do enough showing not telling in regard to characters’ emotions, and typos. It has been discouraging for me. But at the same time I’ve noticed some aspects of the story and how it was told were disliked by some but praised by others. While the dislikes certainly have stung, it demonstrates how people have different opinions, and, as a writer, one can’t please everyone.

Criticism should never be deliberately insulting or hurtful. Constructive criticism helps writers become better by encouraging them rather than insulting them. It was one of the founding points I included when I started my own critique group years ago. But there have been reviews of books that were harshly negative. Edgar Allan Poe was nicknamed the “Tomahawk Man” because when he reviewed something (or someone) he didn’t like, he was absolutely brutal and unrepentant towards the author and their work. But it’s also been observed that many critics in his time would be positive no matter what, and some even took bribes in exchange for giving glowing reviews. Poe, on the other hand, was honest, and most of those he heavily criticized aren’t as well known today.

It goes to show if not everyone is glowing with praise, there’s a plus side: your work is being taken seriously. Books that have been heavily criticized have endured, becoming literary classics. Several were banned for one reason or another, but that has become a badge of honor for many books, many of which were revolutionary for their times and for literature. And writers mustn’t forget about constructive criticism: they can see what could have been done better. Writers can take that (gradually, of course) to become better at their craft. So while it is difficult to get over criticism, it is possible. It may initially hurt, but a writer can rise up again and become better. Writers should never stop believing in themselves and their writing. And in my case, with Mystical Greenwood no one has yet to give it two stars or one, so that’s a good sign.

Further Reading
  1. Kayla Ann. Responding to Criticism.
  2. Zikra, Nour. Will Negative Book Reviews Hurt Me? Writing Advice.

Five Years of Blogging

This month will mark this website’s 5th anniversary (twelve days from today, to be exact)! I’d already done a post looking back after two years, but five years is one of those major milestones that several people mark. So here’s a summary of what this website has seen and went through in five years.

I started out knowing nothing other than I had to set one up in advance, as many friends had advised me so. I looked at other indie authors’ sites to see what I should do, made some choices of my own, and took advice from others about what to include and how to improve it. Over these five years, the website has gone through a facelift as well as a change in domain name. I learned a lot as I went along.

This post is my 60th. I started out discussing personal insights and aspects in the craft of writing, and have since expanded to marketing and sharing books in my inscribed collection as a means to promote other authors. I’ve made guest appearances on many other authors’ blogs too, the majority of which were interviews about me and my work. All can be found on my site’s blog page.

When I started this site, I had two publications in poetry and creative nonfiction, respectively. The latter prompted me to create a Facebook Author page (two months prior to the website). Because of this website, I set up accounts on Twitter and Tumblr, and found new ways to be active on YouTube and Goodreads. And now I have an Amazon Author page!

This website has witnessed more publications in poetry, short stories, and the biggest of all, my novel Mystical Greenwood (which was also a finalist for an award). The Nightmare Whispers anthology series came out a week ago, and Fae Dreams, also from Fae Corps Inc, yesterday. More are in the works, and/or are awaiting publication. Here’s a teaser in an old open mic reading I did at the MWA in Annapolis of some short stories:

This website has been used to promote my work as well as many events that I’ve participated in, in-person as well as virtual. I have acquired followers and readers from all over the globe!

The top ten places from which I’ve had views as of now:

  1. United States
  2. United Kingdom
  3. India
  4. Canada
  5. Australia
  6. China
  7. Brazil
  8. South Africa
  9. Ireland
  10. Philippines

Last month, in fact, had more views than any other month before it, and the day with the most views (as of this moment) when my last post came out.

It has been quite a journey so far. Who can say where I’ll be in ten years? All I know is that I must keep pressing on, learning and experimenting.

Merry Writer Podcast

Many thanks to my fellow authors and bloggers Rachel Poli and Ari Meghlen for featuring me on the Merry Writer Podcast! If you haven’t yet, listen as I discuss with Rachel how I came to be a writer:

The episode is on Podbean too.

Be sure to subscribe to the podcast to listen to their other episodes!

And be sure to keep an eye out on my poetry and short story pages for upcoming links to the anthologies Fae Dreams and Nightmare Whispers: Madness Echoes from Fae Corps Inc! They’re due to come out at the end of the month! Some links are already available for preorder!

Interesting to note that some of my work that will appear in those anthologies are tied with earlier days of writing. “Crossing the Estuary” was originally a high school creative writing assignment I’d thought lost but rediscovered. “Candlelight” was an assignment in college where we had to write a poem in the style of Edgar Allan Poe’s “The Raven,” following specific guidelines (yesterday was the anniversary of Poe’s death). I recall I actually started writing it on Halloween!

An Author’s Experience of Marketing during COVID

During the COVID-19 crisis, a number of marketing opportunities opened up for me. I’ve already shared a few of them in previous posts, but here are others.

Here is a guest post that I did for author C. A. Campbell, in which I discuss how online marketing took on a greater role during the stay-at-home order, especially with Twitter and certain hashtags:

An Author’s Experience of Marketing during COVID

Many thanks to C. A. Campbell for the opportunity to speak about it!

As I mentioned in my guest post for Campbell, I appeared Live on Twitter as part of a virtual book tour sponsored by Our Own Write, which had been set up in response to the fact that several writers’ conferences had to be cancelled due to the crisis, including, in my case, the Maryland Writers’ Conference.

In the tour, I read an excerpt from Mystical Greenwood and answered questions. My broadcast got cut off in the middle due to technical issues, and I had another issue with the camera, which is why a good part of it is “black,” but at least I didn’t get cut off during the reading part.

Part I:

Part II:

Still, I enjoyed the experience very much.

Go check them out if you have a book that you want to promote at their future events! I highly recommend them.

Finally, though this was in the works beforehand, I did a short interview with the British-based Chat and Spin Radio. I appear 25 minutes in:

Chat & Spin April 11 Part 3B

Overall, yes, marketing changed quite a bit because of COVID19 and staying home. But, as I said in my guest post for Campbell, it’s all about pressing on.

Behind the Book: Mystical Greenwood by Andrew McDowell

Check out this interview I did with my friend and fellow author Ally Aldridge as part of her “Behind the Book” series, in which I discuss my novel Mystical Greenwood. Many thanks, Ally, for this opportunity!

via Behind the Book: Mystical Greenwood by Andrew McDowell

Verse: Rhyme or Free?

Anyone who has watched Dead Poets Society remembers the viewpoint Robin Williams’s character John Keating gave regarding poetry, and how it cannot be measured. It was a very touching scene, and so I thought I’d talk about my own experiences with poetry, this being National Poetry Month.

I first began writing poetry when I was a teenager. Back then, one could say I was rather rigid. I didn’t experiment a whole lot, typically using a simple rhyme scheme, unless of course if I was writing a sonnet. I would write sonnets because I was (and still am) a huge fan of Shakespeare. I had even recited Sonnet #XVIII (Shall I compare thee to a summer’s day?) at a Poetry Out Loud contest in high school, in which I won third place. But then again, I was rigid there too, because I’d only written sonnets in the Shakespearean format. In a way, looking back, perhaps I was afraid of breaking into new ground.

My rigidness continued for a while at St. Mary’s College of Maryland, where I was introduced at a poetry club reading by the club leader as a more traditional poet compared to other members. The professor of an advanced poetry workshop class later made the observation that I liked to express a theme or idea at the end of each of my poems. However, it was through both that class and another poetry class at St. Mary’s that I began to break free and experiment with poetry.

I discovered new different forms that I had to write in as part of my assignments in those classes. More importantly, over the years I’ve broken free of form alone and began to not worry about syllables and rhymes. I’ve realized how poetry provides a way to really experiment with words and phrases, more so perhaps than fiction. I continued to express themes in my poetry, but also turned to showing and portraying emotions and feelings.

Among the blogs I follow are poets who use their sites to share their work, which is amazingly diverse and wonderfully done. I myself read three poems during an open mic at the Annapolis Chapter of the MWA:

Here’s another reading I did online for The And I Thought Ladies:

And another at the Annapolis MWA:

Poetry expresses what’s in the heart and mind. For any poet, and every writer, their work evolves over time, and through experimentation, gets better.

Resources
  1. Community of Literary Magazines and Presses Directory.
  2. Brewer, Robert Lee. List of 86 Poetic Forms for Poets.
  3. Guildford, Chuck. Stanza Breaks.
  4. Hess, Gary R. 55 Types of Poetry Forms.