Check out my guest appearance with the amazing author Ally Aldridge! On her blog, I discuss Banned Books Week (which is going to be September 22-28 this year) and the importance of creative and intellectual freedom for writers, librarians, and humanity. We have a few months to go, but there’s no harm in thinking about it early! Thank you Ally for this opportunity!
If you haven’t yet, check out my interview with fellow author and MWA member M. J. Patrick! Many thanks M. J. for this opportunity!
The collection grows:
I purchased a copy of Michael Hauge‘s Writing Screenplays that Sell a long time ago, and read it in time for him to inscribe it at the 2018 Maryland Writers’ Conference, where he was a guest speaker. His book is on my list of recommended readings for authors.
I first met Rafael Alvarez at another Maryland Writers’ Conference years earlier, and I received an inscribed copy of Hometown Boy during a talk he did at the Linthicum Community Library.
John DeDakis signed my copies of Fast Track, Bluff, and Troubled Water at the 2018 C3 Convention. I first met him when he spoke at a meeting of the Annapolis Chapter of the MWA, and he later provided an extremely helpful critique when I was editing Mystical Greenwood.
Last week at the MWA in Annapolis Susan Moger was the guest speaker, and she signed my copy of her novel Of Better Blood.
Don’t forget to check out the rest of the collection, especially if you’re looking for some titles to add to your own to-read list:
I look forward to signing copies of Mystical Greenwood at the conference this weekend!
Watch my talk on the importance of names for characters, settings, and things at the Annapolis Chapter of the MWA if you haven’t yet:
This was my first talk geared specifically towards writers. I had a wonderful turnout that evening, and I’ve been informed that some of those who attended used what they learned in their own writing.
Here’s the handout from the event:
Do elements of my talk sound familiar? Read these old blog posts from which it draws upon:
Many thanks to all of you who purchased Mystical Greenwood! If you haven’t yet, please do so! Plus, it’s now available in Nook! Remember, books make great gifts! If you enjoy it, and I hope you do, please post a review! Help spread the word!
And order your merchandise on Deviant Art!
This summer has been eventful. In June I appeared on the ArtistFirst Radio Network, which is highly supportive of independent authors. Here’s my full interview:
Not long after that, I went to a wonderful family reunion. I signed their copies of Mystical Greenwood, and they surprised me with a special cake! Here’s a picture of the cake, along with some pictures of relatives from later on with their copies:
Most recently I made an appearance at the Crofton Library, where I talked about how I came to be published, and featured a musical performance of the two songs in Mystical Greenwood by their composer, Lee J. Chapman, and his associates:
Be sure to check my Events page for upcoming appearances in autumn and winter!
Don’t forget to purchase your copy of Mystical Greenwood, and post a review when you’re done! Every review helps! Please spread the word! Recommend it to your local bookstore and/or library! It is available from the following sites:
In addition, you can purchase mugs, greeting cards, postcards, magnets, mouse pads, and coasters featuring the cover art, as well as prints, on Deviant Art! If you’re a fan, show it!
Don’t forget to subscribe to receive new blog posts, and check out my Blog page to catch up on old ones! Be sure to visit me on social media too:
For those who haven’t seen these yet, here are some pictures from the event Write in Right Now that I participated in a few weeks ago at the Annapolis Regional Library, alongside fellow writers Lucia St. Clair Robson, Jennifer Bort Yacovissi, Sally Whitney, and Leigh Goff:
I had a really good time there. Some of these pictures might lead you to think the attendance was small. It wasn’t (these were taken near the very end as people began to leave). The turnout was absolutely wonderful.
Click here to read a nice article about the event (where I am mentioned for my “dark gray blazer”). For all those who are participating in National Novel Writing Month, I wish you the best of luck. Keep up the good work!
The novel I’m trying to publish includes a prologue, which I recently read at an open mic. Prologues I’ve discovered are tricky. It would seem they are generally discouraged in publishing. However, I’ve seen books, including bestsellers, which have them. Even in movies you’ll find them. There are different kinds of prologues too. Lital Talmor and Louise Lilley have created lists of different categories, good and bad (see Further Reading below) .
This particular prologue I have furiously tried to keep as many beta readers and fellow writers in critique groups (all of whom shall remain anonymous) gave their opinion of it and the rest of the manuscript. Why you might ask did I want to keep it so much? Was it even worth it?
I’ve learned if a prologue is going to be written, it must have a specific purpose. In order to draw readers in, the first few pages, with or without one, must hook them. If the prologue doesn’t do that, it ought to be discarded. At the beginning, what I wanted mine to do was show what is at the heart of the story, which is the beauty and importance of Nature. Throughout the manuscript and especially the prologue, when it came to Nature imagery I got a bit poetic, which at the time was what I wanted.
One of my first beta readers liked it for the juxtaposition of Nature’s beauty with its destruction, which shows what is at stake. However, as I would later learn from other readers, that was not enough. In the earliest drafts of my novel, the entire prologue was a dream sequence. However I soon learned that was a big no-no. Furthermore, it was, as Maeve Maddox (see Further Reading below) would point out, largely atmosphere. Lilley herself advises against such a prologue. Maddox says if your prologue feels “boring” then readers will want to go straight to Chapter 1. Those who read my earliest version felt it was too “detached” from the plot, and the style “wordy”. Clearly then if changes were not made it would have to go, or at least be broken up within the main plot somehow. Maddox herself offers that solution in the case of backstory.
So in an attempt to keep my prologue, I made only the second half a dream sequence, with the protagonist describing it as he was looking back on past events. So I sort of made it a cross between what Talmor calls “background” prologue and a “future protagonist” one (the idea had come around because I have considered an epilogue at the end of the trilogy where he is a young man reflecting on the story’s events). I chose to withhold his name, hoping to make readers wonder who he was and want to read more to find out. Even then, critique group members still felt it was too detached from the story.
I found inspiration from the first Iron Man film. It has a “prologue” showing Tony Stark attacked and wounded, then after the movie title shifts back to 36 hours prior. So instead of having my protagonist years later, I had it set in the main plot, with Chapter 1 beginning some days before the prologue’s events and the early pages build up to that moment, which occurs before the first quarter mark. I added dialogue between the protagonist and another character, so it would not be mere atmosphere anymore, but still there are no names included. One beta reader who read this version liked it and described it as “intriguing”. While even acknowledging publishers do not always like prologues, she felt mine “worked”. So perhaps I am on the right track. I also believe that beginning with Chapter 1 as it is now, it would feel too sudden a start.
Some still thought it too wordy, and I have continued to try to find a balance. Recently, listening to myself reading it out loud helped me simplify it even more. In the end, I am reminded of my father’s advice: the important thing is to tell a story and tell it well. He has also told me less is more, especially with writing. In the end I have come to finally accept that I maybe I did get carried away with the “poetic” feel, and it certainly could get in the way of delivering the message and drawing in readers. So perhaps a poetic style was not the right fit for a young adult audience after all.
Will this prologue be discarded before publication? Will it become something different than it is now? I cannot say. I can say not every book I write will have a prologue, nor need one, but I’d like to try it a few more times, perhaps using Talmor’s categories. If the day comes that I try screenwriting, it will be the same. But I will make sure I want it in a story, and that it will serve a purpose, or I won’t have one at all.
Watch my reading of my prologue here:
- Lilley, Louise. 6 Prologues I’m Tired of Reading.
- Maddox, Maeve. 3 Reasons to Ditch Your Novel’s Prologue at Daily Writing Tips.
- Talmor, Lital. Where to Begin? When, Where and How to Write a Prologue at Writing-World.com.