In 10 days, the two-volume anthology Into the Glen premieres from Fae Corps Inc! The volumes are respectively named Into the Light and Under the Shade. The former will feature my short story The Harbor Master, inspired by real-life stories about monster-sized hammerhead sharks. Many thanks to Fae Corps for this opportunity! They did a great job with the cover and promotional photo:
Some pre-order links are already available on my short stories page, and more will come! Additionally, the 2021 July edition of Pen in Hand featuring my fencing essay is now available on Amazon and Goodreads! Links are on my creative nonfiction page.
One other thing I forgot to mention last time: my novel Mystical Greenwood won in the Science Fiction / Fantasy / Speculative category of the 2021 MWA Novel contest. That’s the first time I’ve won 1st in anything writing!
A couple minor publications are in the works! First, the July edition of the MWA‘s literary journal Pen in Hand features my essay about my experiences in the fencing club at St. Mary’s College of Maryland, which also began there as an assignment in a creative nonfiction class I took during my final semester there. The PDF is available! More links will follow when they arrive!
Here’s a picture of me from my college days in full fencing gear:
I also have a short story that will be appearing in an upcoming two-part anthology from Fae Corps Inc titled Into the Glen. The story is titled “The Harbor Master,” and it was inspired by real urban legends about monster-sized hammerhead sharks in Florida and Bimini.
And don’t forget to check out the other anthologies from Fae Corps that I’ve been in as well. Here’s some promotional material from last year’s marketing campaign for two of them, Fae Dreams and Nightmare Whispers, Volume II: Madness Echoes:
With the latter, it can be purchased as part of the whole Nightmare Whispers collection too, if you would prefer to get all three volumes at once rather than individually!
Once a writer’s work is published it is out there—and at the mercy of the critics. Reviews are what help spread the word about their writing, but the simple fact is that not everyone is going to like it—or at least be glowing with praise. Of course, one would hope they would, but people have different likes and tastes, and so they will find certain things they like—and don’t like—about a particular work. A writer puts hours—years—of passion and hard work into it, and to have it criticized—yes, it can make a writer feel low.
I know. People have posted reviews of Mystical Greenwood over the past three years. Most, I’m happy to say, have enjoyed it. But there have been aspects about it that weren’t to their taste. For example, some thought the language was still too flowery, or didn’t like the alternating points of view, or had trouble connecting to the characters, or felt I didn’t do enough showing not telling in regard to characters’ emotions, and typos. It has been discouraging for me. But at the same time I’ve noticed some aspects of the story and how it was told were disliked by some but praised by others. While the dislikes certainly have stung, it demonstrates how people have different opinions, and, as a writer, one can’t please everyone.
Criticism should never be deliberately insulting or hurtful. Constructive criticism helps writers become better by encouraging them rather than insulting them. It was one of the founding points I included when I started my own critique group years ago. But there have been reviews of books that were harshly negative. Edgar Allan Poe was nicknamed the “Tomahawk Man” because when he reviewed something (or someone) he didn’t like, he was absolutely brutal and unrepentant towards the author and their work. But it’s also been observed that many critics in his time would be positive no matter what, and some even took bribes in exchange for giving glowing reviews. Poe, on the other hand, was honest, and most of those he heavily criticized aren’t as well known today.
It goes to show if not everyone is glowing with praise, there’s a plus side: your work is being taken seriously. Books that have been heavily criticized have endured, becoming literary classics. Several were banned for one reason or another, but that has become a badge of honor for many books, many of which were revolutionary for their times and for literature. And writers mustn’t forget about constructive criticism: they can see what could have been done better. Writers can take that (gradually, of course) to become better at their craft. So while it is difficult to get over criticism, it is possible. It may initially hurt, but a writer can rise up again and become better. Writers should never stop believing in themselves and their writing. And in my case, with Mystical Greenwood no one has yet to give it two stars or one, so that’s a good sign.
Happy Holidays, everyone! Wishing you all a Happy New Year, especially after a year like this. Today is the day of the Winter Solstice, which is the origin of many winter holidays. As the light and warmth of the sun will return, may the new year bring new light and warmth for all of us! I am certainly hoping 2021 brings changes and progress both career-wise and in writing.
And don’t forget: books (and book reviews) make great gifts! My Amazon author page was updated to include more anthologies from past and present, including As the World Burns, which came out last month.
This month will mark this website’s 5th anniversary (twelve days from today, to be exact)! I’d already done a post looking back after two years, but five years is one of those major milestones that several people mark. So here’s a summary of what this website has seen and went through in five years.
I started out knowing nothing other than I had to set one up in advance, as many friends had advised me so. I looked at other indie authors’ sites to see what I should do, made some choices of my own, and took advice from others about what to include and how to improve it. Over these five years, the website has gone through a facelift as well as a change in domain name. I learned a lot as I went along.
This post is my 60th. I started out discussing personal insights and aspects in the craft of writing, and have since expanded to marketing and sharing books in my inscribed collection as a means to promote other authors. I’ve made guest appearances on many other authors’ blogs too, the majority of which were interviews about me and my work. All can be found on my site’s blog page.
This website has witnessed more publications in poetry, short stories, and the biggest of all, my novel Mystical Greenwood (which was also a finalist for an award). The Nightmare Whispers anthology series came out a week ago, and Fae Dreams, also from Fae Corps Inc, yesterday. More are in the works, and/or are awaiting publication. Here’s a teaser in an old open mic reading I did at the MWA in Annapolis of some short stories:
This website has been used to promote my work as well as many events that I’ve participated in, in-person as well as virtual. I have acquired followers and readers from all over the globe!
The top ten places from which I’ve had views as of now:
Last month, in fact, had more views than any other month before it, and the day with the most views (as of this moment) when my last post came out.
It has been quite a journey so far. Who can say where I’ll be in ten years? All I know is that I must keep pressing on, learning and experimenting.
Be sure to subscribe to the podcast to listen to their other episodes!
And be sure to keep an eye out on my poetry and short story pages for upcoming links to the anthologies Fae Dreams and Nightmare Whispers: Madness Echoes from Fae Corps Inc! They’re due to come out at the end of the month! Some links are already available for preorder!
Interesting to note that some of my work that will appear in those anthologies are tied with earlier days of writing. “Crossing the Estuary” was originally a high school creative writing assignment I’d thought lost but rediscovered. “Candlelight” was an assignment in college where we had to write a poem in the style of Edgar Allan Poe’s “The Raven,” following specific guidelines (yesterday was the anniversary of Poe’s death). I recall I actually started writing it on Halloween!
And for those of you haven’t seen or heard yet, I am going to have some short works appearing in two anthologies from Fae Corps Inc, Fae Dreams and Nightmare Whispers, Volume II, scheduled to be released on Halloween! Another poem will be appearing in another upcoming anthology from Indie Blu(e) Publishing titled As the World Burns. Be sure to keep an eye on my poetry and new short story page for future links!
Also, as today is 9/11, I ask for a moment of remembrance for those who died on this day 19 years ago, and for those who were affected by it.
Anyone who has watched Dead Poets Society remembers the viewpoint Robin Williams’s character John Keating gave regarding poetry, and how it cannot be measured. It was a very touching scene, and so I thought I’d talk about my own experiences with poetry, this being National Poetry Month.
I first began writing poetry when I was a teenager. Back then, one could say I was rather rigid. I didn’t experiment a whole lot, typically using a simple rhyme scheme, unless of course if I was writing a sonnet. I would write sonnets because I was (and still am) a huge fan of Shakespeare. I had even recited Sonnet #XVIII (Shall I compare thee to a summer’s day?) at a Poetry Out Loud contest in high school, in which I won third place. But then again, I was rigid there too, because I’d only written sonnets in the Shakespearean format. In a way, looking back, perhaps I was afraid of breaking into new ground.
My rigidness continued for a while at St. Mary’s College of Maryland, where I was introduced at a poetry club reading by the club leader as a more traditional poet compared to other members. The professor of an advanced poetry workshop class later made the observation that I liked to express a theme or idea at the end of each of my poems. However, it was through both that class and another poetry class at St. Mary’s that I began to break free and experiment with poetry.
I discovered new different forms that I had to write in as part of my assignments in those classes. More importantly, over the years I’ve broken free of form alone and began to not worry about syllables and rhymes. I’ve realized how poetry provides a way to really experiment with words and phrases, more so perhaps than fiction. I continued to express themes in my poetry, but also turned to showing and portraying emotions and feelings.
Among the blogs I follow are poets who use their sites to share their work, which is amazingly diverse and wonderfully done. I myself read three poems during an open mic at the Annapolis Chapter of the MWA:
To all those who’ve purchased, read, and reviewed Mystical Greenwood, I want to say thank you. Thank you for your support and encouragement. It was recently announced as a finalist in the Epic/High Fantasy Category of the 2019 American Fiction Awards, sponsored by American Book Fest.
If you haven’t yet, I hope you’ll consider reading my book and posting a review. Every review helps spread the word. I will be very grateful if you do.