Many thanks to author and blogger Julie M. Tuttle for this wonderful opportunity! Check out my interview with her if you haven’t yet!
Years ago, I talked about using social media for promoting one’s work and oneself as a writer, which has become even more important because of COVID. But promotion and marketing are but a part of something more important for life as a writer: networking. The more connections you make, the better your chances are at improving your odds. And something else I’ve learned is that networking consists of so much more than social media. While technology has been playing an increasing role in life even before COVID, face-to-face interaction is still a vital part of networking, and one I think all writers crave and have missed during this pandemic.
I still have vague memories of the first time I went to a meeting of the Maryland Writers’ Association years ago. I was nervous at first, but I quickly realized I needed to return. And I have had no regrets since then. I’ve become friends with many writers, and I realized I am not alone. It was at a meeting of the Annapolis Chapter of the MWA where I learned of Mockingbird Lane Press from another author, and that’s how I came to submit Mystical Greenwood to them and was subsequently offered a contract.
Events like meetings and writers’ conferences are great ways to meet new people, pitch your work, and if your work is already published, to promote and even sell copies. There are also critique groups too. One can join one or start a group, and have beta readers who can offer a fresh pair of eyes. I’ve always enjoyed those offered by the Maryland Writers’ Association, and hope to go back to them when it’s safe to do so again. While it is certainly possible do do all of these things online, it isn’t the same as actually meeting fellow writers and shaking their hands.
Returning to my point about technology vs. face-to-face, with the former, which has increased due to COVID, there is, I have learned in years past, the chance that words and messages can be misinterpreted, and one cannot be sure as to what a person’s tone is. As a result, through my own personal mistakes, connections, related to writing and not, have been broken. Promotion via social media has also at times backfired. But even then, face-to-face interactions can go wrong too. In all cases, one has to be careful, and take responsibility for one’s mistakes and actions.
But the thing I’ve had to learn the hard way, as stinging as it feels, is that if someone doesn’t want to connect with you, or wants to break it off, you have to let it go. No one can be forced to connect, or stay connected for that matter. That’s another lesson I’ve had to learn the hard way. One can only invite/ask people. They cannot be forced to do what they don’t want to do.
Another lesson I learned the hard way is the importance of having business cards. I didn’t have any when I sold copies of Mystical Greenwood at the 2018 Maryland Writers’ Conference, and I knew afterwards I had to have them. I’ve been glad of it ever since.
So, if you aren’t already I hope you’ll consider following me on this site, as well as on social media!
You can also follow my Amazon page!
This month will mark this website’s 5th anniversary (twelve days from today, to be exact)! I’d already done a post looking back after two years, but five years is one of those major milestones that several people mark. So here’s a summary of what this website has seen and went through in five years.
I started out knowing nothing other than I had to set one up in advance, as many friends had advised me so. I looked at other indie authors’ sites to see what I should do, made some choices of my own, and took advice from others about what to include and how to improve it. Over these five years, the website has gone through a facelift as well as a change in domain name. I learned a lot as I went along.
This post is my 60th. I started out discussing personal insights and aspects in the craft of writing, and have since expanded to marketing and sharing books in my inscribed collection as a means to promote other authors. I’ve made guest appearances on many other authors’ blogs too, the majority of which were interviews about me and my work. All can be found on my site’s blog page.
When I started this site, I had two publications in poetry and creative nonfiction, respectively. The latter prompted me to create a Facebook Author page (two months prior to the website). Because of this website, I set up accounts on Twitter and Tumblr, and found new ways to be active on YouTube and Goodreads. And now I have an Amazon Author page!
This website has witnessed more publications in poetry, short stories, and the biggest of all, my novel Mystical Greenwood (which was also a finalist for an award). The Nightmare Whispers anthology series came out a week ago, and Fae Dreams, also from Fae Corps Inc, yesterday. More are in the works, and/or are awaiting publication. Here’s a teaser in an old open mic reading I did at the MWA in Annapolis of some short stories:
This website has been used to promote my work as well as many events that I’ve participated in, in-person as well as virtual. I have acquired followers and readers from all over the globe!
The top ten places from which I’ve had views as of now:
- United States
- United Kingdom
- South Africa
Last month, in fact, had more views than any other month before it, and the day with the most views (as of this moment) when my last post came out.
It has been quite a journey so far. Who can say where I’ll be in ten years? All I know is that I must keep pressing on, learning and experimenting.
Anyone who has watched Dead Poets Society remembers the viewpoint Robin Williams’s character John Keating gave regarding poetry, and how it cannot be measured. It was a very touching scene, and so I thought I’d talk about my own experiences with poetry, this being National Poetry Month.
I first began writing poetry when I was a teenager. Back then, one could say I was rather rigid. I didn’t experiment a whole lot, typically using a simple rhyme scheme, unless of course if I was writing a sonnet. I would write sonnets because I was (and still am) a huge fan of Shakespeare. I had even recited Sonnet #XVIII (Shall I compare thee to a summer’s day?) at a Poetry Out Loud contest in high school, in which I won third place. But then again, I was rigid there too, because I’d only written sonnets in the Shakespearean format. In a way, looking back, perhaps I was afraid of breaking into new ground.
My rigidness continued for a while at St. Mary’s College of Maryland, where I was introduced at a poetry club reading by the club leader as a more traditional poet compared to other members. The professor of an advanced poetry workshop class later made the observation that I liked to express a theme or idea at the end of each of my poems. However, it was through both that class and another poetry class at St. Mary’s that I began to break free and experiment with poetry.
I discovered new different forms that I had to write in as part of my assignments in those classes. More importantly, over the years I’ve broken free of form alone and began to not worry about syllables and rhymes. I’ve realized how poetry provides a way to really experiment with words and phrases, more so perhaps than fiction. I continued to express themes in my poetry, but also turned to showing and portraying emotions and feelings.
Among the blogs I follow are poets who use their sites to share their work, which is amazingly diverse and wonderfully done. I myself read three poems during an open mic at the Annapolis Chapter of the MWA:
Here’s another reading I did online for The And I Thought Ladies:
And another at the Annapolis MWA:
Poetry expresses what’s in the heart and mind. For any poet, and every writer, their work evolves over time, and through experimentation, gets better.
- Community of Literary Magazines and Presses Directory.
- Brewer, Robert Lee. List of 86 Poetic Forms for Poets.
- Guildford, Chuck. Stanza Breaks.
- Hess, Gary R. 55 Types of Poetry Forms.
It’s a new year! I’ve always found it remarkable how time flies, especially when we’re not really paying attention to it. It’s only when we’re constantly noting it that everything is going extremely slow. But more importantly, reflecting on times past helps one see just how far one’s come, and to prepare for the future, which I think everyone can agree is on people’s minds right now, with the notion of New Year’s Resolutions. Ever since I took my writing seriously, there have been resolutions related to writing every year.
I started my website over four years ago. There’s been a lot of trial and error in building and designing my website, and those of you who’ve been loyal followers, thank you for your support. Thanks also to those who have read and reviewed Mystical Greenwood. Over this time, I’ve been fixing a number of grammatical errors, but as frustrating as it has been, I’ve learned from them—not only new things about language that have helped make me a better writer, but that no one and nothing will ever be truly perfect—not even writers and their work. I’ve come to accept that, and people have for the most part been understanding and kind. The majority of reviewers so far have enjoyed it and written favorably about it. Plus, the book was a finalist in a contest!
This past year I didn’t plan that many public appearances and book signings. I made a few, but not throughout the entire year, and the year before some didn’t draw large crowds due to a lack of planning. But others did. Perhaps my most successful was my discussion on the importance of names. This year I know I’m going to have to do more of them in order to spread the word and get more readers and reviews. To start off, in a few weeks I’ll be signing copies of Mystical Greenwood at an indoor yard sale at Nichols-Bethel United Methodist Church. I’ll giving my aforementioned discussion on names once again at the end of February, this time for the Baltimore chapter of the MWA. I also hope that I will be able to sign and sell copies of my book at the 2020 Maryland Writers’ Conference at the end of March!
And of course there are online appearances—I have in the past couple of years made several guest appearances on other blogs and a podcast, and I’m always looking for more opportunities. Anyone who would like for me to be a guest speaker or blogger can always reach me via this site’s Contact page. Perhaps most importantly, I need to place some serious focus on future works, especially the sequel to Mystical Greenwood. A number of reviewers have expressed their interest in finding out what happens in the next book, so I have to get on that so they will not be waiting forever! Here’s hoping for a good year with good memories and prolific writing!
If you haven’t yet, check out my interview with fellow author and MWA member M. J. Patrick! Many thanks, M. J., for this opportunity!
The collection grows:
I purchased a copy of Michael Hauge‘s Writing Screenplays that Sell a long time ago, and I read it in time for him to inscribe it at the 2018 Maryland Writers’ Conference, where he was a guest speaker. His book is on my list of recommended readings for authors.
I first met Rafael Alvarez at another Maryland Writers’ Conference years earlier, and I received an inscribed copy of Hometown Boy during a talk he did at the Linthicum Community Library.
John DeDakis signed my copies of Fast Track, Bluff, and Troubled Water at the 2018 C3 Convention. I first met him when he spoke at a meeting of the Annapolis Chapter of the MWA, and he later provided an extremely helpful critique when I was editing Mystical Greenwood.
Last week at the MWA in Annapolis, Susan Moger was the guest speaker, and she signed my copy of her novel Of Better Blood.
Don’t forget to check out the rest of the collection, especially if you’re looking for some titles to add to your own to-read list:
I look forward to signing copies of Mystical Greenwood at the conference this weekend!
It’s National Author’s Day! I would like to take this opportunity to say thank you to many different writers I’ve met, and who’ve been encouraging to me on my author’s journey. Writing, despite what some (if there are any still) think, isn’t solitary. I started out on my own when I was a teenager, but I’ve come to see that authors get where they are with the help and support of others, especially fellow writers.
Here’s a list of some of those writers:
There are many more too, including those on my Amazon Authors Twitter List and those whose pages I follow via my Facebook page. Again, many thanks to all of you! I wish you the best of luck with your own writing endeavors! Same to you reading this, especially if you’re participating in NaNoWriMo!
I’m looking forward to my writer’s talk, which is now in two weeks! I’ll be discussing the importance of names for the Annapolis chapter of the MWA at the Maryland Hall for Creative Arts. Come on out if you’re in the area, especially if you’re a writer! I’ll also be participating in their Open Mic next month!
The holidays are around the corner, and books make great gifts! Please don’t forget to order your copy of my high fantasy novel, Mystical Greenwood:
If you enjoy the book, please post your review and help spread the word, especially on Amazon and Goodreads! Add it to your to-read list on the latter today!
Remember, the cover art is available also on Deviant Art in the form of prints, mugs, magnets, mouse pads, coasters, postcards, and greeting cards. Show you’re a fan!
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Often when works of fiction are discussed, word and/or page count comes up. When you see books on a shelf, one of the first things you’ll notice, apart from the author’s name and book title on the spine, is how thick or thin they are compared to each other. Some people, like J. R. R. Tolkien, enjoy reading long stories. Others prefer shorter works. What is it about length? Does it matter?
Often when you look at a book’s title page, there will often be a subtitle saying “A Novel” or something similar. “A Novella” and “A Novelette” appear to be less common. Instead perhaps you might see “A Short Novel”. Furthermore, when it comes to defining types of writers we have novelist, poet, essayist, playwright, short story writer, and screenwriter. There are no set terms that I’m aware of for writers of novellas or novelettes. I sometimes feel novel is an umbrella term under which any fictional work longer than a short story can be labeled. Often, it seems word count is what it really comes down to, as I’ve seen so many sets of word count ranges that are used to define these works. Or is it?
In my senior year at St. Mary’s College, I took a high level creative writing class called “The Novella”. Some of the books we read felt like novels or long short stories. We each had to write a novella, and I started writing that story about neglected pets. It fit into a novella word count range. However, my classmates and the professor felt it should be expanded into a novel. I admit before that class, I’d first imagined it as a novel. Perhaps a work of fiction is what the author believes it to be, and subsequently calls it.
Writing for the stage and screen can be more restrictive, though it’s by page count rather than words. Once at a meeting of the MWA Annapolis chapter, it was stated a page of a screenplay equals a minute of screen time. Thus an ideal film script should be 100-120 pages. A TV episode script would be 50-60 pages. Plays too it seems have page count limits these days. Audiences, I can understand, would rather not sit in a theater all day.
Some classic plays and films are long. Hamlet is usually abridged when staged or filmed. The 1996 unabridged film version lasted over four hours. Sometimes I wonder what Hamlet’s stage and screen history would’ve been like had Shakespeare written it as two plays, as he did with Henry IV (which has appeared onscreen only as TV films). I also wonder what the movie Gettysburg would’ve been like had it been a TV miniseries as initially planned.
Charles Dickens’s works were first published as a serial (like novelettes or novellas) before being printed as complete books. The serial versions were cheaper, making his novels available to the masses, whom, with a cliffhanger, would be enticed to buy the next installment. The novels of the Brontë sisters were published in “volumes,” but like Dickens’s books, they’re are only published as complete works nowadays. Some people feel novellas and novelettes have difficulty getting published these days, and if they do they are usually combined with similar works.
In the end, it all comes down to the writer. It’s up to the author whether they want to define their work as novels, novellas, novelettes, short novels, or short stories. Length is applied in the public consciousness, but maybe it doesn’t have to. Does length and its description on the title page affect the customers decision to purchase or pass? What do you think?
- Meer, Syed Hunbbel. Differences Between a Short Story, Novelette, Novella, & a Novel.
- Playwriting 101. Chapter 1: The Play’s the Thing.
With time, more books are inscribed and the collection grows. I’ve already posted about several I own and enjoyed. Here are some more (and like before you can see my partial reflection on the book covers as I took the pictures):
I won a copy of Leigh Goff‘s Disenchanted at a Facebook launch party for the book. At the Write in Right Now event that I participated in last November, I purchased Shadow Patriots from guest speaker Lucia St. Clair Robson.
More will come I’m sure! And with Mockingbird Lane Press publishing my novel, entitled Mystical Greenwood, I look forward to eventually signing copies of it!