Status of Mystical Greenwood

I’m sure many of you are eager to hear the status on Mystical Greenwood. So as a little treat on this Christmas Day I thought I’d share some updates.

To begin with, if you haven’t yet be sure to watch the book trailer!

Many thanks to Jamie Johnson of Mockingbird Lane Press for an excellent job, and also to songwriter Lee Chapman for the wonderful musical score. Some of you already know this, but Mystical Greenwood includes within its story the lyrics I wrote for two songs. Lee has composed music for both of them. The music in the trailer is for one of those songs.

I’ve gotten through the hard proof round of editing. It sure was a thrill to hold my book in my hands. I do not have an official release date yet, but it looks like Mystical Greenwood may be ready sometime in the coming months! I’ll make an announcement when it’s available. The cover art should follow on Deviant Art soon after the book’s publication.

As you saw from the trailer, when it’s officially released, it will be listed on Amazon and Barnes & Noble. It will be available in both paperback and e-book (downloadable to Kindle and Nook). Be sure to check the Events page for future events. I definitely want to organize a launch party once the book is released.

I’m looking forward to the new year! Once again, I’m thinking of resolutions. Those pertaining to writing include completing at least one draft of a new book (specifically those two that are in progress), and of course making Mystical Greenwood a success. You can help me there by reading it, reviewing it, and spreading the word.

Happy Holidays!

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Another Year

Tomorrow marks this website’s second anniversary. Wow, two years already! Looking back, it’s amazing how much has happened since I created it, much of which I couldn’t have anticipated.

This blog post is my twenty-fourth. I chose to pace myself at one a month, which has suited me fine so I wouldn’t run out of ideas too fast. I’ve discussed personal insights and experiences in various aspects of the writing process as a means to get the word out about myself as a writer, to share my opinions, and to build a following in advance of getting my novel published. All are listed under the site’s Blog page.

My first blog post was referenced in a superbly-done lecture series by Professor Jennifer Cognard-Black, titled Becoming a Great Essayist. I highly recommend it for any writer. My post may not have been an essay, and I certainly didn’t think of it as such when I wrote it. But maybe some of those that have followed it meet that level.

I completed writing Mystical Greenwood shortly after creating this site, and by the end of the following year, I signed a contract with Mockingbird Lane Press to publish it. The cover art was completed this summer, and my publisher and I have worked together on editing it.

Two haiku poems were published last winter in the MWA‘s literary journal Pen in Hand, which is available on Amazon (again, my author bio has an old web address). I’ve also done early work on two other novels, which I hope to get back to over the holidays.

My website has been viewed by people all over the globe. Ranked by most views, here’s a list of the top ten countries as of this moment:

  1. United States
  2. United Kingdom
  3. Canada
  4. India
  5. Brazil
  6. Australia
  7. Ireland
  8. Spain
  9. Tanzania
  10. Italy

I’ve shared my site and posts on social media, and made new accounts to increase the viewing pool. I’ve also uploaded two videos of me reading samples of my work publicly to my YouTube channel.

With Thanksgiving approaching, I’m thankful not only for getting my novel on its way to publication, but to have done well with this website over these two years. I’m also thankful to all of you who followed this site and liked my pages and posts.

Who can say what will happen in the upcoming year? With Mystical Greenwood coming closer to publication, I look forward to it! If you’re reading this and aren’t subscribed or following me on social media, I hope you’ll consider doing so and joining in on this journey!

If you have a website and/or blog, how long has yours been up? Please share some of your own writing and blogging highlights.

Edit, Revise, Rewrite

Any writer who takes their craft seriously will have edited their work many times over. I can pretty much guarantee that any bestselling novel or literary classic you take off the shelf is not in its first draft. Novels go through several drafts before they are published. It can be said of any form of creative writing too, really.  It can even feel at times while you write that you are editing too, and the editing takes over the writing process. Some say to not edit at all with the first draft, to just write it and get it done. Also, others will say that you eventually have to stop editing and move on, otherwise you never will. Both of those sentiments make total sense, but editing is still a vital stage of the writing process.

Perhaps you remember from writing school papers the concept of rough drafts and final copies. Editing enables you to polish a rough draft so that you have a final copy. It is the same with novels. So what chance does a work have without being edited, or without at least one other pair of eyes not your own offering critical feedback? Taking feedback is never easy, but it should be constructive, so you can see it as a way to ask yourself what can be done better.

Going beyond grammar and spelling, the book itself goes through many drafts. Plot points are altered. New ones come in. Old ones are eliminated. It’s same with characters, names, and the elements and rules of world-building. Plot holes are identified, along with anything that does not fit. The problem is tackled, usually more than once. It might be necessary to start over from scratch, using the old draft for reference. Format can change too: chapter titles come and go, length can be altered, and the format of chapter numbers (word numbers, Roman numerals, number numbers) can change.

With Mystical Greenwood, I’ve learned the power and importance of editing. It’s always beneficial to have another pair of eyes look at what you wrote, so you might see what potential readers might say. Whether they’re beta readers, critique group members, or professional editors, their opinions will go a long way. At a time when I thought Mystical Greenwood was good and the plot solid, an insightful and encouraging critique from author John DeDakis showed me that more work still needed to be done. To quote Ewan McGregor’s character in The Ghost Writer, I came to think of it as a case where “all the words are there. They’re just in the wrong order.” Some scenes were moved around and rewoven together as a result.

Originally I had around half as many chapters that were twice as long, but then I started to wonder if they were too long. I’ve read books with really long chapters and found it to be frustrating finding a place to stop before bed. So about two thirds through a draft, I split those I had in two (excepting the prologue). I also switched from word numbers to number numbers. I once had chapter titles, but grew to dislike them, and after failing to think of new ones, I discarded them altogether. I felt they had become unnecessary.

The main reason I approached Mockingbird Lane Press was its founder, Regina Riney-Williams, has a great reputation as an editor. Over the course of two rounds of editing, I have found her insights and opinions invaluable. She has been constructive and encouraging, and I’m very grateful for her feedback as much as her willingness to take my book on. I’ve learned not only that so much can change through editing, but as a writer to never stop with one draft. To be a good writer, one must seek and accept feedback, subsequently editing, revising, and often rewriting, which must continue with every novel to come.

The Four P’s of Getting Published

My uncle first came up with the concept of the P’s of getting published. He came up with three: patience, politeness, and professionalism. I added a fourth: persistence. One could call them principles, or perhaps even virtues (although that doesn’t begin with P). Each is important when corresponding with agents, editors, and publishers, and ultimately towards becoming published authors.

Patience

Everyone knows patience is a virtue. It’s also something I brought up when I discussed rejections and criticism. One writer is a fish in a deep ocean when it comes to editing and publishing. People in this industry have to judge every query and submission carefully, and with great thought. They have to decide whether or not it is an investment worth the risk, which like the publication process itself, takes time. Another saying people know is that good things come to those who wait. It’s especially true for writers. Believe me, I’ve learned the hard way never to rush when it comes to writing or getting published. It’s important to respect publishers and editors for taking quality time to be thorough in their jobs so that a writer’s work reaches its full potential.

Persistence

I already discussed the importance of persistence over a year ago when I talked about facing rejection and criticism. Writers have heard it said before and I’ll say it again: don’t give up. Now, once a contract has been signed, it isn’t a good idea to press agents, editors, or publishers, or sound pushy. Rather writers should be persistent to a degree that shows they care about their work and accomplishing goals, but are patient and respectful of those with whom they’re working.

Politeness

A writer must never forget once they have a contract that he or she is not the only writer under contract. Agents, editors, and publishers alike have to work with and help many writers. So writers should always respect their position and what they’re doing for them. They should respect what they say in their critiques, even if they the writer disagree with it. Now, being a little rude is one thing. But I recall one editor’s story of how a client went beyond being merely rude to being outright vile and foulmouthed, calling the editor offensive names. That editor wouldn’t work with that client again. Now this case, as I said, goes beyond mere rudeness. If writers are a little rude such as when defending their vision of their work, publishers and editors can handle that. Sometimes, people can be rude without realizing it. Still, it’s important to remember editors and publishers are people and have feelings, as do writers. Being polite and respectful goes a long way.

Professionalism

A writer should be professional in his or her correspondence, something that’s apparent from the beginning when querying and submitting work. No doubt everyone recalls dressing professional when going for a job interview. One certainly wouldn’t think of dressing too casual then or when hired. It’s a similar situation when approaching and communicating with those who’s job is to edit, publish, and market writers’ creations. Only in this case it’ll usually take the form of words both written and spoken rather than clothing and hairstyle. Acting casually or even sarcastically can give the impression writers aren’t serious about their work being a success, that they don’t care. Publishing is a business. Writers must take it seriously as they would their work, so as to increase the likelihood of getting it and themselves out there.

Cover Art: Mystical Greenwood

I’m very happy to reveal the cover art for Mystical Greenwood! Many thanks to Jamie Johnson of Mockingbird Lane Press for her excellent design!

I’m also delighted to announce it will be available before long on Deviant Art, where items can then be purchased with the cover art on them!

Mystical Greenwood RGB

Formatting a Manuscript

Writers can certainly have visions of how they want their books’ interior to look when readers open them, with such things as drop caps and fancy-looking fonts for the title and chapters and body. For those who self-publish, it’s certainly up to them what design they want. However when submitting to agents and/or presses, they’ll rarely accept a manuscript that’s been elaborated as such. It needs to be easy for them to read and edit, similar to how play and film scripts must be easy for actors to read. Design for novels comes later. I’ve found it best to use a manuscript format while writing. It makes it a lot easier to focus on the story. A similar situation I think most people can relate to would be school papers; teachers and professors often give specific formatting guidelines to their students, based on their own preferences.

Agents and publishers will often have their own preferences that they specifically ask for or use later, but there are some commonalities I’ve found in advice and tips already out there, and from my own experience. What follows are some personal observations and recommendations based on some of these commonalities. Note: this discussion focuses specifically upon novels, as opposed to plays or screenplays (both of which I’ve learned have their own formatting guidelines), and using Microsoft Word.

Now, writers can go in manually and adjust, or modify text formats and headings so they can just be chosen. When it comes to the text, Left is preferred rather than Justified, and no hyphenating (both will come later, with the final layout). Tabs aren’t recommended; instead, format paragraphs so the first line is always indented. The only paragraphs which don’t have to be indented are the first in each chapter. With titles and chapter headings, I’ve learned it’s best to Center and Bold them so they stand out. Italics are used only when there’s a specific need for them, such as for internal thoughts.

When it comes to font, a small handful are generally preferred: Times New Roman, Arial, Courier New, and probably Calibri and Cambria now. Make it all size 12 (except the book title if you wish). I also turn off the Widow/Orphan Control when setting the paragraph format. Why? Say there are one or two lines left on a page for a brand new paragraph. It’ll automatically instead go over to the next page and you have an empty line. Turning off the Widow/Orphan Control prevents that, so a page’s entire space is used. 1″ margins and regular paper size (8.5″ x 11″) are also preferred. Old school would have two spaces after every sentence, but nowadays it’s just one. Some would have the book title on the same page as the first chapter. In other cases there’s a separate title page, which I personally prefer. I also make it a separate section from the chapters, so it doesn’t have page numbers like they do (which are typically centered in the footer).

In the end, I now think of manuscript formatting this way: it’s a book ready to receive edits as well as an elegant design, just as a play or script is ready to be read by actors. It’s beautiful in its own way, designed to be presented to the publishing world. If you have experiences and/or opinions of your own on formatting a manuscript, please feel free to share them.

Further Reading
  1. SMF – Standard Manuscript Formatting.
  2. Dacus, Kaye. Manuscript 101–Introduction & Basic Manuscript Format.
  3. Fogarty, Mignon. Two Spaces After a Period.
  4. Hill, Beth. Format Your Novel for Submission.
  5. Kewin, Simon. 16 Manuscript Format Guidelines.
  6. Klems, Brian A. What Are the Guidelines for Formatting a Manuscript?
  7. Williamson, Jill. How to Format a Fiction Manuscript.

Moving on to the Next Step

Writing an entire book is a challenge, but one I have overcome with Mystical Greenwood. It isn’t finished yet technically as it’s still in the editing phase. But with Mockingbird Lane Press publishing it, it’s more apparent to me than ever that the day will come where I’ll have officially moved on from this one book I’ve worked on for so long. But that means I’m going face a new challenge, which may prove even greater: writing another book. Knowing I’ll have to move on to this next step, I’m already feeling the pressure.

It almost feels as if I’ve never written a novel before. I’ve noticed a similar situation in college: whenever a new semester starts, it feels like I’m back to square one. But in truth, I realize it’s only natural to feel this way, because every semester, like every book to come, will be different. Each new novel will be its own unique experience and journey, but I’ll have to remember the experiences  and challenges will be, to a certain degree, similar to those I’ve endured before. I have to tell myself I did it before, and can do it again. On the other hand, it may be necessary as well as only natural to feel nervous. I cannot become overconfident or complacent with myself. That fear of failure is what enables me to keep striving try hard, and be conscientious.

However, I find Mystical Greenwood as it is now – almost complete – in the back of my mind. As a result, I keep thinking about it, which isn’t a fair comparison because newer projects will be in their earliest, rough drafts. Sometimes I feel people, when reading a novel, don’t consider the earlier drafts it must’ve gone through. Speaking for myself as a writer, I see a similar problem when starting a new novel after finishing the last one. It’s easy to look at a book complete or nearly complete, and fear your next one won’t be as good or well-written. On the other hand, that last book was rough once. What I mean to say is, Mystical Greenwood‘s near-publication should motivate me to write more, but I can’t compare it to other novels as I begin writing them. The books to come will also take more than a few drafts. A well-polished book doesn’t come instantly.

As I have said before, Mystical Greenwood is intended to be the first book in a trilogy. The next book certainly is one of those up front I need to work on. I have some ideas already forming of what I want to include in the second book, including how I want to end it, but it won’t conclude the story, thereby giving me an early purpose for the third book. At the same time, I want to expand beyond this fantasy realm into other genres.

As a matter of fact, I wrote a manuscript for a high-level creative writing class during my last semester at St. Mary’s College. The class was a “novella” class, but others felt the story I came up was more novel-length, which I felt too. Unlike Mystical Greenwood, it was set in the real world, and was about pets that are neglected and abused. It was definitely a first draft that needs rewriting and I want to work on it. We’ll see what happens. I don’t want to overstretch myself by working on way too many projects at the same time, but there are several other ideas I could expand on eventually. I won’t reveal too much just yet, except there is hope. The day will come soon where I’ll be moving on to the next step. I cannot stop at only a single novel. I must write more, again and again.

Inscribed #2

With time, more books are inscribed and the collection grows. I’ve already posted about several I own and enjoyed. Here are some more (and like before you can see my partial reflection on the book covers as I took the pictures):

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I won a copy of Leigh Goff‘s Disenchanted at a Facebook launch party for the book. At the Write in Right Now event that I participated in last November, I purchased Shadow Patriots from guest speaker Lucia St. Clair Robson.

I purchased T. C. Weber‘s Sleep State Interrupt, as well as Joseph B. Ross Jr.‘s books Arundel Burning and In the Shadows of the Flames, at the MWA in Annapolis.

More will come I’m sure! And with Mockingbird Lane Press publishing my novel, entitled Mystical Greenwood, I look forward to eventually signing copies of it!

Pronunciation

From infancy onward we learn how to pronounce words by hearing others talk and from reading books. When it comes to literature, often we find words invented by the author or ones that weren’t but we don’t frequently hear. They are often the names of people, places and things, but not always. In all cases, we are prone to mispronouncing them, out loud or just in our heads.

Names and words can be spelled the same but pronounced differently depending upon where and from whom you hear them. For example, the name Guy in French is “GEE” (not “JEE”) as opposed to the English “GIE”. In Ireland, Saoirse is most commonly “SEER-shuh” but in certain regions “SAIR-shuh” is more popular. How you say Cairo depends on whether you’re referring to the city in Egypt (“KIE-roh”) or Illinois (“KAY-roh”).

Some names have been anglicized in how they sound if not their spelling. For instance, Brian and Dylan, which respectively originate in Irish and Welsh myth, were “BREE-in” and “DULL-in” but have since been anglicized as “BRIE-in” and “DILL-in”. Ethnic background however doesn’t always guarantee a specific pronunciation. It ultimately rests with personal preferences. Welsh poet Dylan Thomas used the anglicized version of his first name. Actress Saoirse Ronan prefers “SUR-shuh”.

Not every name or word is pronounced how it’s spelled either, which many Irish, and Old Irish, names demonstrate. To use one example, a letter combination (known as a diphthong) of MH or BH sounds like either a W or a V; the name Siobhan is “SHIH-vawn” and the festival Samhain (which helped create modern Halloween) is “SOW-in”. Some Welsh names beginning with an I pronounce it like a Y. The examples go on.

Yet sometimes, a mispronunciation has with time become the correct one. Jekyll in The Strange Case of Dr. Jekyll and Mr. Hyde today is “JECK-uhl” but was originally “JEEK-uhl”. The T in Voldemort was meant to be silent, but it was pronounced in the Harry Potter films. The surname of Dr. Seuss was supposed to be “ZOICE,” but after people kept saying “SOOSE” he gave up trying to correct them.

Mispronouncing a word when reading is nothing to be ashamed of. We’ve all been there, including me. This quote/image has been shared frequently on social media:

mispronounce

For us writers, there are steps we can take to help readers pronounce words correctly. Here are some personal recommendations. First, make sure you know the proper (or your preferred) pronunciation, especially if you think people will likely mispronounce it. If you have several names and/or words you believe will be hard to pronounce (such as within fantasy or science-fiction), it might be a good idea to include a pronunciation guide. With works where there are fewer such words, an easier method could be incorporating the pronunciations into the text or dialogue (if you’re writing for the stage or screen, actors will be enabled to pronounce them for you – just make sure you let them know how you want them said). That way, incorrect pronunciations don’t become correct ones.

Pronunciation Sites
Irish Pronunciation Sites

Fact vs. Fiction

Among the genres I intend to try my hand at is historical fiction. Within this genre, the characters witness actual events from our past. Some could be real figures (or based on them). Often books and movies include the subtitle “Based on a true story”. I’ve noticed with literary and cinematic successes there’s often a subsequent wave of interest and research aimed at separating fact from fiction. For a writer, the dilemma presents itself beforehand. With the goal of telling a story and telling it well, can historical fact get in the way of telling good historical fiction? How far should writers go if they cross the line?

Fiction can actually run the risk, with time and new generations, of becoming thought of as fact. In my junior year at St. Mary’s College, I took classes discussing how literature and history have been analyzed and interpreted. In the latter, I recall us discussing how history has been “romanticized” even in America. People record events with their own beliefs and motivations. It’s human nature. To this day there have been cases where real events and figures were altered, or the truth stretched, to create a better story. Facts are sometimes selectively preserved or obscured altogether.

Fiction being fiction, some lines will be crossed. But some writers, like Rafael Sabatini, believe historical fiction should be kept close to fact. Sabatini used real events and drew inspiration from a number of historical figures when writing Captain Blood. Another novel that has been criticized for historical inaccuracies is Ivanhoe. Though several historical points ARE accurate, compared to some of his other novels it seems Sir Walter Scott took liberties. However, he DID admit he had taken liberties when Ivanhoe was published in the book’s “Dedicatory Epistle”. Some believe he wanted to reflect both his support for British unity and his Scottish patriotism through the book’s Saxon-Norman conflict.

Folktales and legends are a part of human culture and the human psyche. We need something to believe in so we may strive and rise to something better. In America, it has been noted we root for underdogs and rebels as symbols of freedom. Pirates and Wild West outlaws were almost exclusively thugs and killers. Nevertheless they’ve been popularized as romantic heroes. Captain Charles Johnson’s 1724 book A General History of the Pyrates has had a considerable influence defining how we perceive pirates today, along with Robert Louis Stevenson’s Treasure Island. However some believe Johnson used artistic license. Pirates seldom buried gold. More often they sold stolen commercial goods on the black market and spent all their money on vices.

My father pointed out to me a common observation that history is written by winners. This notion is especially apparent to me, together with how fiction can become fact over time, in William Shakespeare’s Richard III. I remember the news story of how Richard’s skeleton was found beneath a parking lot. I subsequently learned there are societies who believe he was wrongfully maligned by history and Shakespeare. In the play, he is depicted as an evil, scheming tyrant who has his nephews murdered after usurping the throne from them, as well as harboring an incestuous desire for his niece.

But was Shakespeare to blame? When he wrote Richard III, he was living under the reign of Elizabeth I, the granddaughter of the very man who overthrew Richard. Henry Tudor, who became Henry VII, had to justify why he took the throne. What better way than by painting his defeated opponent as a villain by playing upon rumors of his nephews’ disappearance or incestuous desire (that rumor Richard had denied)? We still don’t know for certain what befell the Princes in the Tower, although Richard certainly had opportunity and motive. By Shakespeare’s time, this image must have been considered fact. Even if Shakespeare doubted it, he almost certainly couldn’t offend his own monarch’s grandfather without putting his neck on the line.

In other cases however, Shakespeare, who’s living depended upon entertaining the masses, did deliberately ignore fact or simply filled gaps. In King John, the hero is Richard the Lionheart’s illegitimate son, Philip Falconbridge. He did actually have an illegitimate son, named Philip of Cognac. Yet little is known of him, not even his mother’s name. Shakespeare took the name and father then created his own character. In Henry IV Part I, he made Harry “Hotspur” Percy and Prince Hal close in age so they would be better character foils, when Percy was actually many years Hal’s senior.

There are exceptions to the rule of winners writing history. At St. Mary’s I took another class on the Lost Cause. Ex-Confederates initiated the movement after losing the American Civil War to whitewash their image as heroic, conveniently ignoring slavery and racism. Once again, it is a case of people recording events with bias.

As readers, we must bear in mind fiction is fiction. Historical fiction and drama shouldn’t be taken completely at face value. But that doesn’t mean writers should ignore historical fact either. I want to try and reconcile my respect for history and the goal to tell a good story well as much as possible. I know it won’t work in every way, but I’ll do my best to be accurate, particularly with worldbuilding, and any real events or figures should I use them. When I cannot be accurate, I will acknowledge it. Good historical fiction is built upon historical fact. Fiction in turn can inspire a search for the fact.

Further Reading
  1. The Richard III Society.
  2. Higgins, Charlotte. Scotland’s image-maker Sir Walter Scott ‘invented English legends’.
  3. Sabatini, Rafael. Historical Fiction.