Behind the Book: Mystical Greenwood by Andrew McDowell

Check out this interview I did with my friend and fellow author Ally Aldridge as part of her “Behind the Book” series, in which I discuss my novel Mystical Greenwood. Many thanks, Ally, for this opportunity!

via Behind the Book: Mystical Greenwood by Andrew McDowell

Double Feature: Two Recent Guest Appearances

Many thanks to author Yari Garcia for featuring Mystical Greenwood as part of her book blog tour series! And to author C. L. Schneider for including my book among her newsletter’s guest indie authors!

Here are links to both:

Indie Spotlight: Mystical Greenwood

The Latest News, Events, and Updates from clschneider.com

Praise for Mystical Greenwood

“I believe that there are few books for teenage boys and girls out today that match the excitement, the creativeness, the originality, the great characters, and the adventure this writer captures so well.”
  • Karen DeMers Dowdall, Author of The Captain’s Witch and Garrett’s Bones (To read her  full review on her site, click here)
“Andrew McDowell creates a beautiful and complex world revolving around Nature and our connection to it. […] It’s an ideal story for lovers of high fantasy!”
Mystical Greenwood is a coming of age story full of poetic writing that keeps you mesmerized from start to finish. I loved this read!”
  • Nour Zikra, Author of Divinity Falling and Dance with the Devil
“A wonderful fantasy story set in a highly imaginative setting where nature is revered and respected.”
  • Chris Hall, Author of You’ll Never Walk Alone, The Silver Locket, and Following the Green Rabbit
“This book was what I read when I needed to center myself and feel more at peace, and I rooted for the characters the whole time. There was adventure, excitement, heartbreak and triumph.”
“If you have a passion for nature, animals and fantasy, and want to see skies light up with ancient magic sorcery while learning the secrets of the greenwood, then pick up this tome.”
I enjoyed the book on many levels–the appealing main character Dermot, whose arc of self-discovery is well imagined and revealed. The cast of intriguing major and minor characters who exist in a beautifully evoked natural world which I particularly enjoyed along with the thoughtful reminders of human responsibility for that world.”

Verse: Rhyme or Free?

Anyone who has watched Dead Poets Society remembers the viewpoint Robin Williams’s character John Keating gave regarding poetry, and how it cannot be measured. It was a very touching scene, and so I thought I’d talk about my own experiences with poetry, this being National Poetry Month.

I first began writing poetry when I was a teenager. Back then, one could say I was rather rigid. I didn’t experiment a whole lot, typically using a simple rhyme scheme, unless of course if I was writing a sonnet. I would write sonnets because I was (and still am) a huge fan of Shakespeare. I had even recited Sonnet #XVIII (Shall I compare thee to a summer’s day?) at a Poetry Out Loud contest in high school, in which I won third place. But then again, I was rigid there too, because I’d only written sonnets in the Shakespearean format. In a way, looking back, perhaps I was afraid of breaking into new ground.

My rigidness continued for a while at St. Mary’s College of Maryland, where I was introduced at a poetry club reading by the club leader as a more traditional poet compared to other members. The professor of an advanced poetry workshop class later made the observation that I liked to express a theme or idea at the end of each of my poems. However, it was through both that class and another poetry class at St. Mary’s that I began to break free and experiment with poetry.

I discovered new different forms that I had to write in as part of my assignments in those classes. More importantly, over the years I’ve broken free of form alone and began to not worry about syllables and rhymes. I’ve realized how poetry provides a way to really experiment with words and phrases, more so perhaps than fiction. I continued to express themes in my poetry, but also turned to showing and portraying emotions and feelings.

Among the blogs I follow are poets who use their sites to share their work, which is amazingly diverse and wonderfully done. I myself read three poems during an open mic at the Annapolis Chapter of the MWA:

Here’s another reading I did online for The And I Thought Ladies:

And another at the Annapolis MWA:

Poetry expresses what’s in the heart and mind. For any poet, and every writer, their work evolves over time, and through experimentation, gets better.

Resources
  1. Community of Literary Magazines and Presses Directory.
  2. Brewer, Robert Lee. List of 86 Poetic Forms for Poets.
  3. Guildford, Chuck. Stanza Breaks.
  4. Hess, Gary R. 55 Types of Poetry Forms.

Guest Barista, Andrew McDowell on Writer’s Resources

Check out this guest post I did for the Go Dog Go Cafe! Many thanks to Stephen and his associates for this opportunity!

Go Dog Go Café

Writers must read and conduct research to build their stories. No matter the genre, writers need to build plot and characters to create something that will appeal to readers, and there are many books offering tips and insights into these elements. I will discuss those titles I have listed for my own recommended resources and why I think they’re helpful.

Joseph Campbell’s The Hero with a Thousand Faces is one of the most well-known and influential books in the world. It draws upon many myths, identifying common characteristics and story elements to form what we know as the hero’s journey. Perhaps one of the most famous examples of Campbell’s influence is with George Lucas when he created Star Wars. There’s a reason why this book is helpful to writers: the hero’s journey appeals to people. It’s been depicted in many different ways, and stories do deviate at certain points (Frodo…

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Love is in the Words

Romance has long been considered an important component of literature and drama. It draws them in, including me. People love to praise those who make huge sacrifices for love. Readers like to see it blossom and endure amid great trials and hardships, to see it conquer all. Unfortunately, sometimes fans can get so obsessed with notions of romance that they can lose their hold of reality.

Modern adaptations of classic stories alter characters for the sake of romance. Helen of Troy has been portrayed as falling genuinely in love with Paris rather than being under a spell, as she was originally in The Iliad. In some adaptations of The Legend of Sleepy Hollow, Ichabod and Katrina are in love, with Ichabod as a noble hero, whereas in the original story his motives are anything but honorable, and it’s implied Katrina, who was rather vane, merely used him to make Brom Bones jealous. Even villains like Dracula, who originally had no qualms over their actions, have become “humanized” and anti-heroic via romance. Romance appeals to people.

Within fandoms and fanfiction, I’ve seen “shippers” when there’s a love triangle and even with characters who either didn’t end up together or weren’t in love. Margaret Mitchell was hounded by Gone with the Wind fans wanting to know if Rhett and Scarlett reunited. She never gave them a definitive answer, because that wasn’t the point of the story. It’s been suggested some (but not all) fans don’t care about reason, wanting a romantic ending no matter how much it defies logic.

So is there a danger when writers incorporate romance into stories? Yes. There have been articles and books discussing how reading romance novels can be dangerous for one’s physical and psychological health, because in searching for love in real life, readers may aspire to an idealized image found only in fiction. Some try to play it out, thinking it’ll end like in stories. The result is grave disappointment, because in real life nothing is perfect. In Sense and Sensibility, the romantic Marianne falls for the handsome, dashing Willoughby and wears her heart on her sleeve. When he leaves her and marries for money (after being disinherited for abandoning another girl he got pregnant), Marianne wallows in grief, to the point where she endangers her health and nearly dies.

So what can writers do? Recognize the power stories have to shape readers’ views on love. Perhaps aim to show love isn’t perfect, with fights and disagreements, but still satisfy readers. Marianne finds love in Colonel Brandon and gets a happy ending, but she matures and sees the error of her past conduct. Another thing to bear in mind is that sometimes relationships don’t work out. Seldom is a first love everlasting, especially with teenagers. At other times, there isn’t a happy ending but hope for a better future.

I don’t dismiss the power and importance of romance. It’s needed in some (but not all) stories. But writers and readers alike need to understand genuine romance is gradual, with ups and downs. As Shakespeare says, “The course of true love never did run smooth.” And as I learned in church, love is an umbrella term used for many situations that aren’t identical. Furthermore, what may appear to be love isn’t necessarily love. They say love is blind; so is obsession. Love not built on a solid foundation of friendship, mutual trust, and respect, is the easiest—and fastest—to crumble.

Resolutions

It’s a new year! I’ve always found it remarkable how time flies, especially when we’re not really paying attention to it. It’s only when we’re constantly noting it that everything is going extremely slow. But more importantly, reflecting on times past helps one see just how far one’s come, and to prepare for the future, which I think everyone can agree is on people’s minds right now, with the notion of New Year’s Resolutions. Ever since I took my writing seriously, there have been resolutions related to writing every year.

I started my website over four years ago. There’s been a lot of trial and error in building and designing my website, and those of you who’ve been loyal followers, thank you for your support. Thanks also to those who have read and reviewed Mystical Greenwood. Over this time, I’ve been fixing a number of grammatical errors, but as frustrating as it has been, I’ve learned from them—not only new things about language that have helped make me a better writer, but that no one and nothing will ever be truly perfect—not even writers and their work. I’ve come to accept that, and people have for the most part been understanding and kind. The majority of reviewers so far have enjoyed it and written favorably about it. Plus, the book was a finalist in a contest!

This past year I didn’t plan that many public appearances and book signings. I made a few, but not throughout the entire year, and the year before some didn’t draw large crowds due to a lack of planning. But others did. Perhaps my most successful was my discussion on the importance of names. This year I know I’m going to have to do more of them in order to spread the word and get more readers and reviews. To start off, in a few weeks I’ll be signing copies of Mystical Greenwood at an indoor yard sale at Nichols-Bethel United Methodist Church. I’ll giving my aforementioned discussion on names once again at the end of February, this time for the Baltimore chapter of the MWA. I also hope that I will be able to sign and sell copies of my book at the 2020 Maryland Writers’ Conference at the end of March!

And of course there are online appearances—I have in the past couple of years made several guest appearances on other blogs and a podcast, and I’m always looking for more opportunities. Anyone who would like for me to be a guest speaker or blogger can always reach me via this site’s Contact page. Perhaps most importantly, I need to place some serious focus on future works, especially the sequel to Mystical Greenwood. A number of reviewers have expressed their interest in finding out what happens in the next book, so I have to get on that so they will not be waiting forever! Here’s hoping for a good year with good memories and prolific writing!

Updates on Works in Progress

Hopefully by now, most of you have read Mystical Greenwood and are eagerly awaiting the sequel. Well, I thought I’d talk a bit about where I am presently with my current projects. Uh oh, spoiler alert! Hopefully these aren’t big spoilers but teasers. I’ll do my best to refrain from giving too much away. Consider it an early holiday gift.

As I said, there is a sequel to Mystical Greenwood in progress. From the beginning, I’ve wanted the One with Nature series to consist of three books. I know how I want the second to end, but it won’t be the end of the story, so the third book has that purpose already (and I even have a vision of how I’d like it to end). Having focused on forests, I intend to take my characters to another important realm of Nature: the sea (as well as emphasize other bodies of water). So there will be an exploration of and emphasis on aquatic life, and as I hinted before, I’d like to include some more mythical creatures. Taranis will raise the stakes of his fight, and the sequel will include an element Mystical Greenwood lacked: romance.

Anyone who’s seen my works in progress page knows there’s been another story in the works, set in the real world dealing with pets who are neglected and abused. I started it as a class project back at St. Mary’s College. Anyone who knows me knows how much I love animals, and it pains me to think of how many pets—not just dogs—suffer in this world and are deprived of love and comfort. A number of other projects and short works are also in the early stages/idea phase. Things to look forward to in the future!

In addition to these large works, I have short ones too that I’m trying to publish. I’ve had some poetry published this year, and there’s a lot more. I also have two completed short stories. As I’ve said from the beginning, I want to explore various genres and forms of writing. I’ve had a wide variety of interests throughout my life, and perhaps that’s due to my Asperger syndrome. But I definitely want to explore them in writing. I’ll be sure to post updates when they come.

Be sure to check out my Events page for upcoming appearances! Also, registration is open for the 2020 Maryland Writers Conference. Early bird prices go until New Year’s Eve! If you’re interested, go to the MWA website to learn more!

And of course, if you haven’t yet, I hope you’ll read and review Mystical Greenwood! And if you know someone who loves reading fantasy and loves Nature, books make great gifts during the winter holidays! In Iceland, a country with a high reading and publication rate, there is a tradition of exchanging books on Christmas Eve known as Jólabókaflóð, or the Yule Book Flood.

Mystical Greenwood is available in Paperback, Kindle, and Nook:

US$: Amazon  |  Barnes & Noble  |  Books-A-Million

UK£: Amazon.co.uk  |  Foyles  |  Waterstones

CA$: Amazon.ca

Be sure to add it to your to-read list on Goodreads! The cover art is available at Deviant Art. Don’t forget to subscribe to receive notifications of new blog posts! You can also follow me on social media:

Facebook  |  Twitter  |  YouTube  |  Tumblr  |  Goodreads

Further Reading
  1. De La Mare, Guinevere. Jolabokaflod: Meet Your Favorite New Holiday Tradition.

Establishing Characters’ Motives

It’s probably a question you’ve asked yourself before when writing, and certainly one you must answer: what drives your characters? They all want something, just as people in real life want something. It can be love, hatred, power, wealth, knowledge, patriotism, disillusionment, honor, or something else. To help bring characters to life, good and bad, they need to have at least one thing that drives them, which can later on change, but ultimately helps bring the character to life as much as their individual personality traits.

You can begin with basic human emotions or desires and build them into one of many possibilities. As an example, if a character seeks knowledge, it could be knowledge of something or someone or oneself. It’s important for villains to have motivations as well as heroes. In Beowulf the titular hero seeks everlasting glory, while each of the monsters is driven by a dark desire: Grendel by envy (of the Danes celebrating, which links him to his Biblical ancestor, Cain, who killed his brother Abel out of envy), Grendel’s mother by anger (for the death of her son), and the dragon by greed (a single golden cup was stolen from his treasure hoard).

When characters are driven to commit crimes, they have simple motivations, which have different versions. Sometimes characters with similar motivations act differently upon them, or the other way around. In The Count of Monte Cristo, Danglars wants Edmond’s captaincy while Mondego wants Edmond’s fiancé. So they conspire to frame him for conspiring to help Napoleon Bonaparte. For Danglars it’s a crime of profit; for Mondego it’s one of passion. Villefort realizes there actually is a conspiracy to help the deposed emperor, not involving Edmond but his own father, which would hurt his political ambitions if revealed. So he has imprisoned Edmond without trial to protect himself. Edmond is therefore motivated to enact revenge upon them all.

Often motives can be influenced by characters’ backgrounds and circumstances. One well-known stereotype is the evil twin, who is the protagonist’s mirror image (though sometimes evil twins have facial hair or scars). But in many stories there are simply siblings—not necessarily twins—where one’s good and one’s evil. When the younger is evil, (s)he tends to be envious at not being the oldest and thus the heir. But when the older is evil (not to say (s)he can’t be jealous of the younger sibling), (s)he is proud of being the oldest and heir, to the point of narcissism and arrogance. When there’s more than one sibling, it can lead to middle child syndrome, where the second child feels unloved and/or like an outcast because the third is the “baby” and the first is the heir.

Then there’s the notion of a character foil: someone who contrasts another character, usually the protagonist. Foils can be villains like evil twins, but they can be good too. They are similar in one or two ways to a protagonist but in every other way aren’t. Sherlock Holmes’s older brother Mycroft shares his amazing power of deduction and more, but doesn’t use it to earn a living since, as Sherlock puts it, he lacks ambition and energy, and hates fieldwork.

As I said earlier, motivation can change, especially if a character isn’t sure at the start what drives him or her. Perhaps they are searching for what it is they want out of life. In every case, having motivation drives characters, and thus readers’ investment in them.

Further Reading
  1. Character Motivation: How to Write Believable Characters.
  2. Marie, Katie. Character motivations and why they are so important.

Happy Veterans Day! Many thanks to all who served!

Guest Appearance at Shortprose!

Check out my latest guest appearance, where I discuss the origins of what first inspired me to become a writer! Many thanks to my friend Gabriela, who blogs at shortprose.blog, for this wonderful opportunity!

via Meet a young author: Andrew McDowell #guest post